Digital Artist Supervisor: DNEG
Tenet (2020)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Visual Effects Production Manager: Mist VFX Studio
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Rotoanim Artist: The Moving Picture Company
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Rotoanim Artist: The Moving Picture Company
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Rotoanim Artist: The Moving Picture Company
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Rotoanim Artist: The Moving Picture Company
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Rotoanim Artist: The Moving Picture Company
Into the Woods (2014)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Rotoanim Artist: The Moving Picture Company
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Rotoanim Lead: The Moving Picture Company
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Roto Animator
I, Frankenstein (2014)
Directed by: Stuart Beattie
Cinematography by: Ross Emery
Edited by: Marcus D'Arcy
Cameras: Red Epic Camera
Rotoanim Artist: The Moving Picture Company
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Rotoanim Artist: MPC
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Digital Artist: The Moving Picture Company
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Rotoanim Artist: The Moving Picture Company
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Rotoanim Artist: The Moving Picture Company
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Rotoanim Artist: MPC
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Rotoanim Artist: The Moving Picture Company
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Rotoanim Artist: The Moving Picture Company
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Rotoanim Artist: The Moving Picture Company
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Rotoanim Artist: The Moving Picture Company
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Rotoanim Artist: The Moving Picture Company
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day