Lee Asquith-Coe

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Christopher Robin | ShotOnWhat?

School Porter

Christopher Robin (2018)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Transformers: The Last Knight | ShotOnWhat?

The Hitman's Bodyguard | ShotOnWhat?

SO19 Officer

The Hitman's Bodyguard (2017)

Directed by: Patrick Hughes

Cinematography by: Jules O'Loughlin

Edited by: Jake Roberts

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Angenieux Lenses, Hawk V-Lite Vintage´74 Lens

The Mummy | ShotOnWhat?

Cross Rail Worker

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Officer 247

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Assassin's Creed | ShotOnWhat?

QRF Police Officer

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Criminal | ShotOnWhat?

MI5 Agent

Criminal (2016)

Directed by: Ariel Vromen

Cinematography by: Dana Gonzales

Edited by: Danny Rafic

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Imitation Game | ShotOnWhat?

MI6 Agent

The Imitation Game (2014)

Directed by: Morten Tyldum

Cinematography by: Oscar Faura

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Fury | ShotOnWhat?

SS Infantry

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Monuments Men | ShotOnWhat?

'A Company' Drill Sgt

The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

Edge of Tomorrow | ShotOnWhat?

J Squad Soldier

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Jack Ryan: Shadow Recruit | ShotOnWhat?

SWAT Boat Commander

Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Rush | ShotOnWhat?

Fiji Pit Crew

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Diana | ShotOnWhat?

Police Officer

Diana (2013)

Directed by: Oliver Hirschbiegel

Cinematography by: Rainer Klausmann

Edited by: Hans Funck

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Kick-Ass 2 | ShotOnWhat?

Officer Barnhart

Kick-Ass 2 (2013)

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

RED 2 | ShotOnWhat?

Security Detail Soldier

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

I Give It a Year | ShotOnWhat?

Party Goer

I Give It a Year (2013)

Directed by: Dan Mazer

Cinematography by: Ben Davis

Edited by: Tony Cranstoun

Cameras: ARRI ALEXA Plus Camera

Furious 6 | ShotOnWhat?

Sgt Sheldern

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

World War Z | ShotOnWhat?

U.S Marine Helicopter Soldier

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Comes a Bright Day | ShotOnWhat?

Cafe Detective Constable

Comes a Bright Day (2012)

Directed by: Simon Aboud

Cinematography by: John Lynch

Edited by: Gavin Buckley

Cameras: ARRI ALEXA Camera

The Bletchley Circle | ShotOnWhat?

CID Officer

The Bletchley Circle (2012)

Television Series

Directed by: Andy De Emmony, Sarah Harding, Jamie Payne

Cinematography by: John Pardue, Jake Polonsky, Adam Suschitzky

Edited by: Stephen O'Connell, St. John O'Rorke, David Rees

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Cockneys vs Zombies | ShotOnWhat?

Warehouse Gates Zombie

Cockneys vs Zombies (2012)

Directed by: Matthias Hoene

Cinematography by: Daniel Bronks

Edited by: Neil Farrell, John Palmer

Cameras: ARRI Cameras

Lenses: Bausch & Lomb Lenses

Zero Dark Thirty | ShotOnWhat?

Sean Cohen

Zero Dark Thirty (2012)

Directed by: Kathryn Bigelow

Cinematography by: Greig Fraser

Edited by: William Goldenberg, Dylan Tichenor

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses

Editing System: Avid Editing System

"The Bletchley Circle" Cracking a Killer's Code: Part 1 | ShotOnWhat?

CID Officer

'The Bletchley Circle' Cracking a Killer's Code: Part 1 (2012)

Television Episode

Directed by: Andy De Emmony

Cinematography by: John Pardue

Edited by: Stephen O'Connell

V for Vendetta | ShotOnWhat?

V Follower

V for Vendetta (2005)

Directed by: James McTeigue

Cinematography by: Adrian Biddle

Edited by: Martin Walsh

Agent Cody Banks 2: Destination London | ShotOnWhat?

Foley Artist

Agent Cody Banks 2: Destination London (2004)

Directed by: Kevin Allen

Cinematography by: Denis Crossan

Edited by: Andrew MacRitchie

Cameras: Panavision Cameras

Restoration | ShotOnWhat?

Supporting Artist

Restoration (1995)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

Lady Jane | ShotOnWhat?

Peasant Boy

Lady Jane (1986)

Directed by: Trevor Nunn

Cinematography by: Derek V. Browne, Douglas Slocombe

Edited by: Anne V. Coates

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