Re-recording Mixer
Annihilation (2018)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Barney Pilling
Re-recording Mixer
Paddington 2 (2017)
Directed by: Paul King
Cinematography by: Erik Wilson
Cameras: ARRI ALEXA Series Cameras
Re-recording Mixer
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Re-recording Mixer
Brooklyn (2015)
Directed by: John Crowley
Cinematography by: Yves Bélanger
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Re-recording Mixer
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Re-recording Mixer
Paddington (2014)
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
The Theory of Everything (2014)
Directed by: James Marsh
Cinematography by: Benoît Delhomme
Edited by: Jinx Godfrey
Re-recording Mixer
A Long Way Down (2014)
Directed by: Pascal Chaumeil
Cinematography by: Ben Davis
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Re-recording Mixer
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Re-recording Mixer
The Angels' Share (2012)
Directed by: Ken Loach
Cinematography by: Robbie Ryan
Edited by: Jonathan Morris
Re-recording Mixer
Quartet (2012)
Directed by: Dustin Hoffman
Cinematography by: John de Borman
Edited by: Barney Pilling
Re-recording Mixer
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Re-recording Mixer
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Premix Re-recording Mixer
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Re-recording Mixer
Johnny English Reborn (2011)
Directed by: Oliver Parker
Cinematography by: Danny Cohen
Edited by: Guy Bensley
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
One Day (2011)
Directed by: Lone Scherfig
Cinematography by: Benoît Delhomme
Edited by: Barney Pilling
Re-recording Mixer
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Dialogue Premix
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Re-recording Mixer
Agora (2009)
Directed by: Alejandro Amenábar
Cinematography by: Xavi Giménez
Edited by: Nacho Ruiz Capillas
Re-recording Mixer
Looking for Eric (2009)
Directed by: Ken Loach
Cinematography by: Barry Ackroyd
Edited by: Jonathan Morris
Re-recording Mixer
Harry Brown (2009)
Directed by: Daniel Barber
Cinematography by: Martin Ruhe
Edited by: Joe Walker
Cameras: Sony CineAlta F35 Camera
Re-recording Mixer
'Little Dorrit' Episode #1.8 (2008)
Directed by: Adam Smith
Cinematography by: Owen McPolin
Edited by: Philip Kloss
Re-recording Mixer
'Little Dorrit' Episode #1.9 (2008)
Directed by: Adam Smith
Cinematography by: Owen McPolin
Edited by: Philip Kloss
Re-recording Mixer
'Little Dorrit' Episode #1.7 (2008)
Directed by: Adam Smith
Cinematography by: Owen McPolin
Edited by: Philip Kloss
Re-recording Mixer
Eden Lake (2008)
Directed by: James Watkins
Cinematography by: Christopher Ross
Edited by: Jon Harris
Re-recording Mixer
'Little Dorrit' Episode #1.6 (2008)
Directed by: Adam Smith
Cinematography by: Owen McPolin
Edited by: Philip Kloss
Re-recording Mixer
Slumdog Millionaire (2008)
Cinematography by: Anthony Dod Mantle
Edited by: Chris Dickens
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Re-recording Mixer
'Little Dorrit' Episode #1.5 (2008)
Directed by: Dearbhla Walsh
Cinematography by: Lukas Strebel
Edited by: Nick Arthurs
Re-recording Mixer
'Little Dorrit' Episode #1.4 (2008)
Directed by: Dearbhla Walsh
Cinematography by: Lukas Strebel
Edited by: Nick Arthurs
Re-recording Mixer
'Little Dorrit' Episode #1.3 (2008)
Directed by: Dearbhla Walsh
Cinematography by: Lukas Strebel
Edited by: Nick Arthurs
Re-recording Mixer
'Little Dorrit' Episode #1.2 (2008)
Directed by: Dearbhla Walsh
Cinematography by: Lukas Strebel
Edited by: Nick Arthurs
Re-recording Mixer
'Little Dorrit' Episode #1.1 (2008)
Directed by: Dearbhla Walsh
Cinematography by: Lukas Strebel
Edited by: Nick Arthurs
Re-recording Mixer
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Additional Sound Re-recording Mixer
The Wind that Shakes the Barley (2006)
Directed by: Ken Loach
Cinematography by: Barry Ackroyd
Edited by: Jonathan Morris
Lenses: Zeiss Ultra Prime Lenses
Adr Mixer
Keeping Mum (2005)
Directed by: Niall Johnson
Cinematography by: Gavin Finney
Edited by: Robin Sales
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Recordist
Stage Beauty (2004)
Directed by: Richard Eyre
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Foley Recordist
Layer Cake (2004)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
Foley Recordist
Veronica Guerin (2003)
Directed by: Joel Schumacher
Cinematography by: Brendan Galvin
Edited by: David Gamble
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Adr Recordist
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Temporary Sound Mixer
Waking Ned Devine (1998)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Alan Strachan
Cameras: Panavision Panaflex Gold II Camera
Preview Re-recording Mixer
Shakespeare in Love (1998)
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
