Consultant
The Best of Me (2014)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Matt Chesse
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Consultant
Beyond the Lights (2014)
Directed by: Gina Prince-Bythewood
Cinematography by: Tami Reiker
Edited by: Terilyn A. Shropshire
Cameras: ARRI ALEXA M Camera
Consultant
The November Man (2014)
Directed by: Roger Donaldson
Cinematography by: Romain Lacourbas
Edited by: John Gilbert
Cameras: ARRI ALEXA Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Consultant
3 Days to Kill (2014)
Directed by: McG
Cinematography by: Thierry Arbogast
Edited by: Audrey Simonaud
Consultant
21 & Over (2013)
Cinematography by: Terry Stacey
Edited by: John Refoua
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Consultant
Safe Haven (2013)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Studio Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Consultant
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Consultant , Digital Media Management
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Consultant
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Consultant
Judy Moody and the Not Bummer Summer (2011)
Directed by: John Schultz
Cinematography by: Shawn Maurer
Edited by: John Pace
Consultant
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Executive In Charge Of Post-production
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Executive In Charge Of Post-production
Shanghai (2010)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Executive In Charge Of Post-production
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Consultant
Skyline (2010)
Cinematography by: Michael Watson
Edited by: Nicholas Wayman-Harris
Cameras: Red One MX Camera
Executive In Charge Of Post-production
The Company Men (2010)
Directed by: John Wells
Cinematography by: Roger Deakins
Edited by: Robert Frazen
Executive In Charge Of Post-production: The Weinstein Company
Nine (2009)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Executive In Charge Of Post-production: Dimension Films
Youth in Revolt (2009)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Executive In Charge Of Post-production: Dimension Films
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Executive In Charge Of Post-production
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Executive In Charge Of Post-production: Dimension Films
The Promotion (2008)
Directed by: Steve Conrad
Cinematography by: Lawrence Sher
Executive In Charge Of Post-production: The Weinstein Company
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Executive In Charge Of Post-production
Killshot (2008)
Directed by: John Madden
Cinematography by: Caleb Deschanel
Executive In Charge Of Post-production
Superhero Movie (2008)
Directed by: Craig Mazin
Cinematography by: Thomas E. Ackerman
Cameras: ARRI Cameras
Executive In Charge Of Post-production: Dimension Films
Hell Ride (2008)
Directed by: Larry Bishop
Cinematography by: Scott Kevan
Executive In Charge Of Post-production
Soul Men (2008)
Directed by: Malcolm D. Lee
Cinematography by: Matthew F. Leonetti
Executive In Charge Of Post-production: The Weinstein Company
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Executive In Charge Of Post-production
The Hunting Party (2007)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Post Executive
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post Executive
Halloween (2007)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Executive In Charge Of Post-production: The Weinstein Company
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Digital Intermediate Supervisor
Scary Movie 4 (2006)
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera