Dialogue Editor / Sound Effects Editor
'Andi Mack' We Were Here (2019)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Adr Supervisor / Supervising Sound Editor
Game Night (2018)
Cinematography by: Barry Peterson
Lenses: Cooke S4/i Lenses
Dialogue Editor
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Adr Supervisor / Supervising Sound Editor
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Dialogue Editor / Sound Effects Editor - 1 Episode, 2019
Andi Mack (2017)
Directed by: Paul Hoen, Joe Menendez, Michelle Manning, Eyal Gordin, Adam Weissman, Michael Grossman, Jerry O'Connell, Vanessa Parise, David Warren, David Kendall, Charles Minsky, Kenny Ortega, Brent Geisler, Leslie Kolins Small, Aprill Winney
Cinematography by: Matthew Williams
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke 5/i Prime 100mm T1.4 Lens, Cooke 5/i Prime 135mm T1.4 Lens, Cooke 5/i Prime 18mm T1.4 Lens, Cooke 5/i Prime 25mm T1.4 Lens, Cooke 5/i Prime 32mm T1.4 Lens, Cooke 5/i Prime 40mm T1.4 Lens, Cooke 5/i Prime 50mm T1.4 Lens, Cooke 5/i Prime 65mm T1.4 Lens, Cooke 5/i Prime 75mm T1.4 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Co-supervising Sound Editor
Pelé: Birth of a Legend (2016)
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
ADR Supervisor / Supervising Sound Editor
Keanu (2016)
Directed by: Peter Atencio
Cinematography by: Jas Shelton
Edited by: Nicholas Monsour
ADR Supervisor / Sound Effects Editor
War Dogs (2016)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Cameras: ARRI ALEXA XT Camera
Sound Effects Editor
Entourage (2015)
Directed by: Doug Ellin
Cinematography by: Steven Fierberg
Edited by: Jeff Groth
Cameras: ARRICAM Lite (LT) Camera
Foley Editor
Tracers (2015)
Directed by: Daniel Benmayor
Cinematography by: Nelson Cragg
Edited by: Peter Amundson
Cameras: Red Epic Camera
Additional Sound Effects Editor
The Lego Movie (2014)
Cameras: ARRI ALEXA Series Cameras
Editing System: Final Cut Pro Editing System
First Assistant Sound Editor
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
First Assistant Sound Editor
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
First Assistant Sound Editor
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
First Assistant Sound Editor
The Hangover Part II (2011)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
First Assistant Sound Editor / Foley Editor
Due Date (2010)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Assistant Sound Editor
Just Wright (2010)
Directed by: Sanaa Hamri
Cinematography by: Terry Stacey
Edited by: Melissa Kent
Assistant Sound Editor: Director's Cut / First Assistant Sound Editor
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Assistant Sound Editor
Yes Man (2008)
Directed by: Peyton Reed
Cinematography by: Robert D. Yeoman
Edited by: Craig Alpert
Cameras: Panavision Cameras
Assistant Sound Editor
The Sisterhood of the Traveling Pants 2 (2008)
Directed by: Sanaa Hamri
Cinematography by: Jim Denault
Edited by: Melissa Kent
Assistant Sound Editor
Nights in Rodanthe (2008)
Directed by: George C. Wolfe
Cinematography by: Affonso Beato
Edited by: Brian A. Kates
First Assistant Sound Editor
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
First Assistant Sound Editor
We Are Marshall (2006)
Directed by: McG
Cinematography by: Shane Hurlbut
First Assistant Sound Editor
Starter for 10 (2006)
Directed by: Tom Vaughan
Cinematography by: Ashley Rowe
Assistant Sound Editor
The Break-Up (2006)
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Assistant Sound Editor
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Assistant Sound Effects Editor
The Woods (2006)
Directed by: Lucky McKee
Cinematography by: John R. Leonetti
Cameras: Panavision Cameras
Assistant Sound Editor
Idlewild (2006)
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Assistant Sound Editor
Kicking & Screaming (2005)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Assistant Sound Editor
Welcome to Mooseport (2004)
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Assistant Sound Editor
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Assistant Sound Editor
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Assistant Sound Editor
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Assistant Sound Editor
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Assistant Sound Editor
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Assistant Sound Editor
Daddy and Them (2001)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Cameras: Panavision Cameras
Assistant Sound Editor
The Contender (2000)
Directed by: Rod Lurie
Cinematography by: Denis Maloney
Edited by: Michael Jablow
Assistant Sound Editor
Bless the Child (2000)
Directed by: Chuck Russell
Cinematography by: Peter Menzies Jr.
Edited by: Alan Heim
Assistant Sound Editor
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Assistant Sound Editor
Hellraiser: Inferno (2000)
Directed by: Scott Derrickson
Cinematography by: Nathan Hope
Edited by: Kirk M. Morri
Assistant Sound Editor
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Assistant Sound Editor
The General's Daughter (1999)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
Assistant Sound Editor
A Murder of Crows (1998)
Directed by: Rowdy Herrington
Cinematography by: Robert Primes
Edited by: Harry B. Miller III
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Sound Editor
Disturbing Behavior (1998)
Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Randy Jon Morgan
Sound Effects Assistant
Jackie Brown (1997)
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Assistant Sound Editor
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Apprentice Sound Editor
Flipper (1996)
Directed by: Alan Shapiro
Cinematography by: Bill Butler
Edited by: Peck Prior
Assistant Sound Editor
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Sound Intern
Mallrats (1995)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Paul Dixon
