Visual Effects Supervisor: Incessant Rain Studios
'Stranger Things' Chapter Six: The Dive (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Vfx Supervisor: Incessant Rain Studios - 10 Episodes, 2021-2022
1883 (2021)
TV Mini Series
Edited by: Chad Galster, Nathan Gunn, Brooke Rupe, Martin Nicholson, John Coniglio, Christopher Gay, Ryan Malanaphy
Digital Compositor: Incessant Rain Studios / Vfx Supervisor: Incessant Rain Studios
'The Wilds' Day Twenty-Three (2020)
Directed by: John Polson
Cinematography by: Rob Marsh
Edited by: Steve Edwards
Vfx Supervisor: Incessant Rain Studios
'The Wilds' Day Sixteen (2020)
Directed by: Tara Nicole Weyr
Cinematography by: Rob Marsh
Edited by: Sophie Corra
Vfx Supervisor: Incessant Rain Studios
'The Wilds' Day Fifteen (2020)
Directed by: Ed Wild
Cinematography by: Peter Field
Edited by: Steve Edwards
Vfx Supervisor: Incessant Rain Studios
'The Wilds' Day Twelve (2020)
Directed by: Alison Maclean
Cinematography by: Rob Marsh
Edited by: Sophie Corra
Vfx Supervisor: Incessant Rain Studios
'The Wilds' Day Two (2020)
Directed by: John Polson
Cinematography by: Ed Wild
Edited by: Sophie Corra
Visual Effects Supervisor: Incessant Rain Studios - 1 Episode, 2022
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Digital Compositor
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Digital Compositor
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Digital Compositor
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Digital Compositor
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Digital Compositor
Ted 2 (2015)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Senior Digital Compositor: Incessant Rain Studios
'Silicon Valley' Server Space (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Senior Digital Compositor: Incessant Rain Studios / Senior Paint Artist
Think Like a Man Too (2014)
Directed by: Tim Story
Cinematography by: Christopher Duskin
Edited by: Peter S. Elliot
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Panavision Super Speed Lenses
Lead Compositor
No Good Deed (2014)
Directed by: Sam Miller
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Senior Digital Compositor: Incessant Rain Studios - 1 Episode, 2015
Silicon Valley (2014)
Directed by: Mike Judge, Alec Berg, Jamie Babbit, Eric Appel, Charlie McDowell, Tricia Brock, Maggie Carey, Tim Roche, Clay Tarver, Gillian Robespierre, Matt Ross
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Roto And Paint Artist
A Million Ways to Die in the West (2014)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Digital Compositor / Lead Roto Artist
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Digital Compositor
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Lead Digital Compositor
About Last Night (2014)
Directed by: Steve Pink
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Lenses: Leitz Summilux-C Series Lenses
Senior Paint Artist
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Senior Compositor
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Senior Digital Compositor: Incessant Rain Studios
Don Jon (2013)
Directed by: Joseph Gordon-Levitt
Cinematography by: Thomas Kloss
Edited by: Lauren Zuckerman
Editing System: Avid Editing System
Digital Compositor
Grown Ups 2 (2013)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Red Epic Camera
Digital Compositor
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Senior Digital Compositor: Incessant Rain Studios
Midnight's Children (2012)
Directed by: Deepa Mehta
Cinematography by: Giles Nuttgens
Edited by: Colin Monie
Senior Paint Artist
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Digital Compositor: Incessant Rain Studios
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Digital Compositor
Think Like a Man (2012)
Directed by: Tim Story
Cinematography by: Larry Blanford
Edited by: Peter S. Elliot
Cameras: Red Epic Camera
Digital Compositor
Friends with Benefits (2011)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Digital Compositor
The Grey (2011)
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Digital Compositor
Jumping the Broom (2011)
Directed by: Salim Akil
Cinematography by: Anastas N. Michos
Edited by: Terilyn A. Shropshire
Cameras: Sony CineAlta F35 Camera
Digital Compositor
30 Minutes or Less (2011)
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Visual Effects Artist
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Visual Effects Artist
The Karate Kid (2010)
Directed by: Harald Zwart
Cinematography by: Roger Pratt
Edited by: Joel Negron
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Cooke S4 Lenses
Digital Compositor
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
