Adr Mixer
30 Days of Night: Dark Days (2010)
Directed by: Ben Ketai
Cinematography by: Eric Maddison
Edited by: Darrin Navarro
Cameras: Sony CineAlta F35 Camera
Adr Mixer
The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It (2010)
Directed by: Craig Moss
Cinematography by: Andrew Strahorn
Edited by: Michel Aller
Foley Mixer
Red Sands (2009)
Directed by: Alex Turner
Cinematography by: Sean O'Dea
Edited by: Alexis Spraic
Adr Mixer
Uncertainty (2008)
Cinematography by: Rain Li
Edited by: Paul Zucker
Cameras: ARRIFLEX D-20 Camera
Foley Mixer
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Adr Mixer
Sam's Lake (2006)
Directed by: Andrew C. Erin
Cinematography by: David A. Armstrong
Edited by: Miklos Wright
Adr Mixer
First Snow (2006)
Directed by: Mark Fergus
Cinematography by: Eric Alan Edwards
Edited by: Jay Cassidy
Foley Mixer
Ultraviolet (2006)
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Adr Mixer
Conversations with Other Women (2005)
Directed by: Hans Canosa
Cinematography by: Steve Yedlin
Edited by: Hans Canosa
Adr Mixer
American Pie Presents: Band Camp (2005)
Directed by: Steve Rash
Cinematography by: Victor J. Kemper
Edited by: Danny Saphire
Adr Mixer
Catch That Kid (2004)
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Foley Editor , Sound Effects Editor
Once Upon a Time in Mexico (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Foley Supervisor
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Mixer: Los Angeles
My Little Eye (2002)
Directed by: Marc Evans
Cinematography by: Hubert Taczanowski
Edited by: Mags Arnold
Adr Mixer
One Hour Photo (2002)
Directed by: Mark Romanek
Cinematography by: Jeff Cronenweth
Edited by: Jeffrey Ford
Adr Mixer
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Adr Mixer
The Good Girl (2002)
Directed by: Miguel Arteta
Cinematography by: Enrique Chediak
Edited by: Jeff Betancourt
Adr Mixer
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Adr Mixer
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Adr Mixer
The Man from Elysian Fields (2001)
Directed by: George Hickenlooper
Cinematography by: Kramer Morgenthau
Edited by: Michael Brown
Adr Mixer
The Caveman's Valentine (2001)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire
Adr Mixer
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Adr Mixer
Domestic Disturbance (2001)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Adr Mixer
Novocaine (2001)
Directed by: David Atkins
Cinematography by: Vilko Filac
Edited by: Melody London
Sound Effects Editor
The Contender (2000)
Directed by: Rod Lurie
Cinematography by: Denis Maloney
Edited by: Michael Jablow
Adr Mixer
The Mod Squad (1999)
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Adr Mixer
A Slipping-Down Life (1999)
Directed by: Toni Kalem
Cinematography by: Michael F. Barrow
Edited by: Hughes Winborne
Cameras: Aaton 35-III Camera, ARRIFLEX 535 Camera
Adr Mixer
Dusk Till Dawn 2: Texas Blood Money (1999)
Directed by: Scott Spiegel
Cinematography by: Philip Lee
Adr Mixer
Boys Don't Cry (1999)
Directed by: Kimberly Peirce
Cinematography by: Jim Denault
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
She's All That (1999)
Directed by: Robert Iscove
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Adr Mixer
The Big Kahuna (1999)
Directed by: John Swanbeck
Cinematography by: Anastas N. Michos
Edited by: Peggy Davis
Cameras: Panavision Cameras
Adr Mixer
Arlington Road (1999)
Directed by: Mark Pellington
Cinematography by: Bobby Bukowski
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer / Foley Mixer
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Foley Mixer
Disturbing Behavior (1998)
Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Randy Jon Morgan
Adr Mixer
Phantoms (1998)
Directed by: Joe Chappelle
Cinematography by: Richard Clabaugh
Edited by: Randy Bricker
Adr Mixer
A Murder of Crows (1998)
Directed by: Rowdy Herrington
Cinematography by: Robert Primes
Edited by: Harry B. Miller III
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Mixer
The Waterboy (1998)
Directed by: Frank Coraci
Cinematography by: Steven Bernstein
Edited by: Tom Lewis
Cameras: Panavision Cameras
Foley Editor
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Adr Mixer
Most Wanted (1997)
Directed by: David Hogan
Cinematography by: Marc Reshovsky
Cameras: Panavision Cameras
Foley Mixer
Jackie Brown (1997)
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Sound Recordist
Alaska (1996)
Directed by: Fraser C. Heston
Cinematography by: Tony Westman
Edited by: Rob Kobrin
Sound Effects Editor
Mad Dog Time (1996)
Directed by: Larry Bishop
Cinematography by: Frank Byers
Edited by: Norman Hollyn
Editing System: Lightworks Editing System
Sound Transfer
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Sound Editor
Hideaway (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Sound Editor
Desperado (1995)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Foley Editor
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Sound Transfer
The Little Rascals (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Sound Transferer
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Sound Transfer
The Flintstones (1994)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Kent Beyda
Cameras: Panavision Cameras
Sound Recordist
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
Sound Recordist: Weddington
King of the Hill (1993)
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Steven Soderbergh
Cameras: Panavision Cameras
Weddington Recordist
Reservoir Dogs (1992)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Recordist: Weddington
Kafka (1991)
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
Sound Transfer
Tremors (1990)
Directed by: Ron Underwood
Cinematography by: Alexander Gruszynski
Edited by: O. Nicholas Brown
Sound Recordist
Sex, Lies, and Videotape (1989)
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
