Visual Effects: [hy*drau"lx]
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Digital Compositor
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Compositor: Hydraulx
Skyline (2010)
Cinematography by: Michael Watson
Edited by: Nicholas Wayman-Harris
Cameras: Red One MX Camera
Compositor: Hydraulx
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Compositor: Hydraulx
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Flame Artist: Hydraulx
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Flame Artist: Hydraulx
Nancy Drew (2007)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Inferno Artist: Hydraulx
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Flame Compositor: Hydraulx / Inferno Artist: Hydraulx
Aliens vs. Predator: Requiem (2007)
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Digital Compositor: Hydraulx
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Flame Artist: Radium
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Inferno Artist: Hydraulx
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Inferno Artist: Hydraulx
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Inferno Artist: Hydraulx
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Inferno Artist
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Sabre Artist: ILM
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Sabre Artist: ILM
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Interactive Compositor: SPI
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Inferno Artist: Rhythm & Hues
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Digital Compositor
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Effects Artist
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
Something's Gotta Give (2003)
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Digital Compositor: R!OT Pictures
Biker Boyz (2003)
Directed by: Reggie Rock Bythewood
Cinematography by: Greg Gardiner
Digital Compositor: R!OT Pictures
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor: SPI
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Senior Inferno Compositor: Riot
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Digital Compositor
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Digital Compositor
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Digital Compositor
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Lead Compositor
'The X-Files' Orison (2000)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' The Amazing Maleeni (2000)
Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' Signs & Wonders (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' Sein und Zeit (2000)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' Closure (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' X-Cops (2000)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor / Visual Effects Compositor
'The X-Files' First Person Shooter (2000)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' Theef (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' En Ami (2000)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' Chimera (2000)
Directed by: Cliff Bole
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' All Things (2000)
Directed by: Gillian Anderson
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' Brand X (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' Hollywood A.D. (2000)
Directed by: David Duchovny
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' Fight Club (2000)
Directed by: Paul Shapiro
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' Requiem (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' Je Souhaite (2000)
Directed by: Vince Gilligan
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' Arcadia (1999)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' Terms of Endearment (1999)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' The Rain King (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' S.R. 819 (1999)
Directed by: Daniel Sackheim
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' Tithonus (1999)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' Two Fathers (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' One Son (1999)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' The Goldberg Variation (1999)
Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor / Visual Effects Compositor
'The X-Files' Rush (1999)
Directed by: Robert Lieberman
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' Millennium (1999)
Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' The Sixth Extinction II: Amor Fati (1999)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' Monday (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' Alpha (1999)
Directed by: Peter Markle
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' Trevor (1999)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' Milagro (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' The Unnatural (1999)
Directed by: David Duchovny
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' Three of a Kind (1999)
Directed by: Bryan Spicer
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' Field Trip (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' Biogenesis (1999)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' The Sixth Extinction (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' Hungry (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' How the Ghosts Stole Christmas (1998)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' Dreamland II (1998)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' Dreamland (1998)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Lead Compositor
'The X-Files' Triangle (1998)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Louise Innes
Lead Compositor
'The X-Files' Drive (1998)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Lead Compositor
'The X-Files' The Beginning (1998)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Compositor: Digital Magic Company
Money Talks (1997)
Directed by: Brett Ratner
Edited by: Mark Helfrich
Visual Effects Compositor: Digital Magic Company
Mortal Kombat: Annihilation (1997)
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior
Lead Compositor / Visual Effects Compositor - 44 Episodes, 1998-2000
The X-Files (1993)
Directed by: Kim Manners, Rob Bowman, David Nutter, Chris Carter, R.W. Goodwin, Tony Wharmby, Michael W. Watkins, Daniel Sackheim, Michael Lange, James Wong, Jim Charleston, Cliff Bole, William A. Graham, Peter Markle, David Duchovny, Thomas J. Wright, Rod Hardy, Glen Morgan, Jerrold Freedman, Joe Napolitano, Larry Shaw, Tucker Gates, Vince Gilligan, Richard Compton, Frank Spotnitz, Darin Morgan, Fred Gerber, Michael Katleman, Harry Longstreet, Robert Mandel, Win Phelps, Stephen Surjik, James A. Contner, Nick Marck, Michael Vejar, James Whitmore Jr., Brett Dowler, Allen Coulter, Ralph Hemecker, Robert Lieberman, Bryan Spicer, Gillian Anderson, Paul Shapiro, Terrence O'Hara, Barry K. Thomas, Dwight H. Little, Michelle MacLaren, John Shiban, Carol Banker, Holly Dale, Kevin Hooks
Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth
Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses: Panavision Lenses