Don Greenberg

| USA

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Compositor: Hydraulx

Skyline (2010)

| USA

Directed by: Colin Strause, Greg Strause

Cinematography by: Michael Watson

Edited by: Nicholas Wayman-Harris

Cameras: Red One MX Camera

Visual Effects: [hy*drau"lx]

The A-Team (2010)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA, UK

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Compositor: Hydraulx

X-Men Origins: Wolverine (2009)

| USA, UK

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Compositor: Hydraulx

2012 (2009)

| USA

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Flame Artist: Hydraulx

Bedtime Stories (2008)

| USA

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Flame Compositor: Hydraulx / Inferno Artist: Hydraulx

Aliens vs. Predator: Requiem (2007)

| USA

Directed by: Colin Strause, Greg Strause

Cinematography by: Daniel Pearl

Edited by: Dan Zimmerman

Flame Artist: Hydraulx

Nancy Drew (2007)

| USA

Directed by: Andrew Fleming

Cinematography by: Alexander Gruszynski

Edited by: Jeff Freeman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Inferno Artist: Hydraulx

Fantastic Four: Rise of the Silver Surfer (2007)

| USA, Germany, UK

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Editing System: Avid Editing System, Sony Vegas Editing System

Digital Compositor: Hydraulx

X-Men: The Last Stand (2006)

| Canada, USA, UK

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Sabre Artist: ILM

War of the Worlds (2005)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Inferno Artist: Hydraulx

Æon Flux (2005)

| USA, Germany, Brazil, Italy

Directed by: Karyn Kusama

Cinematography by: Stuart Dryburgh

Edited by: Jeff Gullo, Peter Honess, Plummy Tucker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Sabre Artist: ILM

xXx: State of the Union (2005)

| USA

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Flame Artist: Radium

Are We There Yet? (2005)

| USA, Canada

Directed by: Brian Levant

Cinematography by: Thomas E. Ackerman

Edited by: Lawrence Jordan

Inferno Artist: Hydraulx

The Adventures of Sharkboy and Lavagirl 3-D (2005)

| USA

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Inferno Artist

Venom (2005)

| USA

Directed by: Jim Gillespie

Cinematography by: Steve Mason

Edited by: Paul Martin Smith

Inferno Artist: Hydraulx

Fantastic Four (2005)

| USA, Germany

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

Inferno Artist: Rhythm & Hues

Friday Night Lights (2004)

| Germany, USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

Interactive Compositor: SPI

Christmas with the Kranks (2004)

| USA

Directed by: Joe Roth

Cinematography by: Don Burgess

Edited by: Nick Moore

Digital Compositor

Spider-Man 2 (2004)

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses

Digital Compositor: R!OT Pictures

The League of Extraordinary Gentlemen (2003)

| USA, Germany, Czech Republic, UK

Directed by: Stephen Norrington

Cinematography by: Dan Laustsen

Edited by: Paul Rubell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Digital Compositor: R!OT Pictures

Biker Boyz (2003)

| USA

Directed by: Reggie Rock Bythewood

Cinematography by: Greg Gardiner

Edited by: Caroline Ross, Terilyn A. Shropshire

Digital Effects Artist

Kill Bill: Vol. 1 (2003)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Digital Compositor: SPI

Peter Pan (2003)

| UK, Australia, USA, New Zealand

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Digital Compositor

Something's Gotta Give (2003)

| USA

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Digital Compositor

Queen of the Damned (2002)

| USA, Australia

Directed by: Michael Rymer

Cinematography by: Ian Baker

Edited by: Dany Cooper

Senior Inferno Compositor: Riot

Rollerball (2002)

| USA, Germany, Japan

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: Robert K. Lambert, John Wright

Digital Compositor

The Scorpion King (2002)

| USA, Germany, Belgium

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Digital Compositor

Monkeybone (2001)

| USA

Directed by: Henry Selick

Cinematography by: Andrew Dunn

Edited by: Jon Poll, Nicholas C. Smith, Mark Warner

Digital Compositor

The One (2001)

| USA

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Lead Compositor

'The X-Files' Fight Club (2000)

| USA

Directed by: Paul Shapiro

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor / Visual Effects Compositor

'The X-Files' First Person Shooter (2000)

| USA

Directed by: Chris Carter

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' All Things (2000)

| USA

Directed by: Gillian Anderson

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' Sein und Zeit (2000)

| USA

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' Je Souhaite (2000)

| USA

Directed by: Vince Gilligan

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' Theef (2000)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' Orison (2000)

| USA

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' Brand X (2000)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' Closure (2000)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' Requiem (2000)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' En Ami (2000)

| USA

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' The Amazing Maleeni (2000)

| USA

Directed by: Thomas J. Wright

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' Hollywood A.D. (2000)

| USA

Directed by: David Duchovny

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' X-Cops (2000)

| USA

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' Chimera (2000)

| USA

Directed by: Cliff Bole

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' Signs & Wonders (2000)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' The Sixth Extinction II: Amor Fati (1999)

| USA

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' Trevor (1999)

| USA

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' Tithonus (1999)

| USA

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' The Goldberg Variation (1999)

| USA

Directed by: Thomas J. Wright

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' Field Trip (1999)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' Monday (1999)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' Terms of Endearment (1999)

| USA

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' Hungry (1999)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' Milagro (1999)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' Two Fathers (1999)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' Biogenesis (1999)

| USA

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' Arcadia (1999)

| USA

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' The Rain King (1999)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' Millennium (1999)

| USA

Directed by: Thomas J. Wright

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' The Unnatural (1999)

| USA

Directed by: David Duchovny

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' One Son (1999)

| USA

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' The Sixth Extinction (1999)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' Alpha (1999)

| USA

Directed by: Peter Markle

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' S.R. 819 (1999)

| USA

Directed by: Daniel Sackheim

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor / Visual Effects Compositor

'The X-Files' Rush (1999)

| USA

Directed by: Robert Lieberman

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' Three of a Kind (1999)

| USA

Directed by: Bryan Spicer

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' Agua Mala (1999)

| USA

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Heather MacDougall, Lynne Willingham

Lead Compositor

'The X-Files' Triangle (1998)

| USA

Directed by: Chris Carter

Cinematography by: Bill Roe

Edited by: Louise Innes

Lead Compositor

'The X-Files' Dreamland (1998)

| USA

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' The Beginning (1998)

| USA

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Heather MacDougall

Lead Compositor

'The X-Files' Dreamland II (1998)

| USA

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' Drive (1998)

| USA

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Lead Compositor

'The X-Files' How the Ghosts Stole Christmas (1998)

| USA

Directed by: Chris Carter

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Visual Effects Compositor: Digital Magic Company

Mortal Kombat: Annihilation (1997)

| USA

Directed by: John R. Leonetti

Cinematography by: Matthew F. Leonetti

Edited by: Peck Prior

Compositor: Digital Magic Company

Money Talks (1997)