Additional First Assistant Camera
'The Crown' Queen Victoria Syndrome (2022)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Additional First Assistant Camera
'The Crown' The System (2022)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Celia Haining
Additional First Assistant Camera
'The Crown' Decommissioned (2022)
Directed by: Alex Gabassi
Cinematography by: Adriano Goldman
Edited by: Richard Graham
Additional First Assistant Camera
'The Crown' Couple 31 (2022)
Directed by: Christian Schwochow
Cinematography by: Frank Lamm
Edited by: Celia Haining
Additional First Assistant Camera
'The Crown' Gunpowder (2022)
Directed by: Erik Richter Strand
Cinematography by: Ben Wilson
Edited by: Amy Hounsell
Additional First Assistant Camera
'The Crown' No Woman's Land (2022)
Directed by: Erik Richter Strand
Cinematography by: Ben Wilson
Edited by: Stuart Gazzard
Additional First Assistant Camera
'The Crown' Ipatiev House (2022)
Directed by: Christian Schwochow
Cinematography by: Frank Lamm
Edited by: Simon Brasse
Additional First Assistant Camera
'The Crown' The Way Ahead (2022)
Directed by: May el-Toukhy
Cinematography by: Rasmus Videbæk
Edited by: Simon Brasse
Additional First Assistant Camera
'The Crown' Annus Horribilis (2022)
Directed by: May el-Toukhy
Cinematography by: Rasmus Videbæk
Edited by: Mark Davis
Additional First Assistant Camera
'The Crown' Mou Mou (2022)
Directed by: Alex Gabassi
Cinematography by: Adriano Goldman
Edited by: Daniel Greenway
Second Assistant Camera: "c" Camera
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Second Assistant Camera: "a" Camera Reshoots
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Second Assistant Camera: B Camera
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Second Assistant Camera: "b" Camera
Pride and Prejudice and Zombies (2016)
Directed by: Burr Steers
Cinematography by: Remi Adefarasin
Edited by: Padraic McKinley
Lenses: Cooke S4/i Lenses
Second Assistant Camera: Reshoots
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Second Assistant Camera: "b" Camera, Main Unit
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Second Assistant Camera: "b" Camera, Main Unit
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Second Assistant Camera: "c" Camera
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Second Assistant Camera: Main Unit
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Second Assistant Camera: "c" Camera, Second Unit
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Second Assistant Camera
The Counselor (2013)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Second Assistant Camera: "c" Camera, Second Unit
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Additional Second Assistant Camera
Les Misérables (2012)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Second Assistant Camera: Second Unit
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Additional Second Assistant Camera
Johnny English Reborn (2011)
Directed by: Oliver Parker
Cinematography by: Danny Cohen
Edited by: Guy Bensley
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses: Zeiss Master Prime Lenses
Additional Second Assistant Camera: Second Unit
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Additional Camera Loader: Second Unit
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Clapper Loader: "a" Camera
Made in Dagenham (2010)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Michael Parker
Additional Second Assistant Camera
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Additional Second Assistant Camera
Sex and the City 2 (2010)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Cameras: Panavision Panaflex Platinum Camera
Clapper Loader: Second Unit
An Education (2009)
Directed by: Lone Scherfig
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: ARRIFLEX 235 Camera
Lenses: Cooke Speed Panchro Lenses
Camera Trainee: "a" Camera
Miss Pettigrew Lives for a Day (2008)
Directed by: Bharat Nalluri
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: Panavision Cameras
Additional Clapper Loader
'Merlin' The Mark of Nimueh (2008)
Directed by: James Hawes
Cinematography by: Geoffrey Wharton
Edited by: Elen Pierce Lewis
Additional Clapper Loader
'Merlin' Lancelot (2008)
Directed by: Ed Fraiman
Cinematography by: Dale McCready
Edited by: Mark Eckersley
Central Loader
Last Chance Harvey (2008)
Directed by: Joel Hopkins
Cinematography by: John de Borman
Edited by: Robin Sales
Camera Trainee
Eden Lake (2008)
Directed by: James Watkins
Cinematography by: Christopher Ross
Edited by: Jon Harris
Additional Clapper Loader - 2 Episodes, 2008
Merlin (2008)
Directed by: Jeremy Webb, Alice Troughton, David Moore, Justin Molotnikov, Ashley Way, Ed Fraiman, James Hawes, Metin Hüseyin, Alex Pillai, Stuart Orme, Declan O'Dwyer
Cinematography by: Dale McCready, Ashley Rowe, Sam McCurdy, Geoffrey Wharton, Peter Greenhalgh, Jim O'Donnell
Edited by: Simon Reglar, Elen Pierce Lewis, Jeremy Strachan, Fiona Colbeck, Tom White, Mark Eckersley, Crispin Green, Mark Thornton, Bjorn Johnson, Andrew McClelland, Jackie Ophir, Belinda Cottrell, Tim Marchant, Annie Kocur, William Webb
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Additional Camera Trainee
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Camera Trainee
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Camera Trainee
Death at a Funeral (2007)
Directed by: Frank Oz
Cinematography by: Oliver Curtis
Edited by: Beverley Mills
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Central Loader
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses