James Corless

36 Titles

Is this you? Add a Profile

Come Away | ShotOnWhat?

Head Of Department: Pinewood Digital

Come Away (2020)

Directed by: Brenda Chapman

Cinematography by: Jules O'Loughlin

Edited by: Dody Dorn

Avengers: Endgame | ShotOnWhat?

Head Of Department: Pinewood Digital

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Pokémon Detective Pikachu | ShotOnWhat?

Head Of Department: Pinewood Digital

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Solo: A Star Wars Story | ShotOnWhat?

Head Of Department: Pinewood Digital

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Mary Queen of Scots | ShotOnWhat?

Head Of Department: Pinewood Digital

Mary Queen of Scots (2018)

Directed by: Josie Rourke

Cinematography by: John Mathieson

Edited by: Chris Dickens

Cameras: Panavision Millennium DXL Camera, Red Epic Helium Camera

Avengers: Infinity War | ShotOnWhat?

Head Of Department: Pinewood Digital

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Doctor Strange | ShotOnWhat?

Dailies Producer

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

Dailies Producer

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Pride and Prejudice and Zombies | ShotOnWhat?

Operations Manager: Pinewood Digital

Pride and Prejudice and Zombies (2016)

Directed by: Burr Steers

Cinematography by: Remi Adefarasin

Edited by: Padraic McKinley

Lenses: Cooke S4/i Lenses

Assassin's Creed | ShotOnWhat?

Dailies Producer

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Jason Bourne | ShotOnWhat?

Dailies Producer

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Florence Foster Jenkins | ShotOnWhat?

Dailies Producer: Pinewood Digital

Florence Foster Jenkins (2016)

Directed by: Stephen Frears

Cinematography by: Danny Cohen

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA XT Camera

Avengers: Age of Ultron | ShotOnWhat?

Digital Lab Supervisor

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Ex Machina | ShotOnWhat?

Operations Manager: Pinewood Digital

Ex Machina (2014)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Mark Day

Cameras: GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Editing System: Avid Editing System

The Riot Club | ShotOnWhat?

Digital Production Services, Operations Manager: Pinewood Digital

The Riot Club (2014)

Directed by: Lone Scherfig

Cinematography by: Sebastian Blenkov

Edited by: Jake Roberts

Guardians of the Galaxy | ShotOnWhat?

Digital Lab Supervisor

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Thor: The Dark World | ShotOnWhat?

Digital Lab Supervisor

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Belle | ShotOnWhat?

Digital Production Services: Pinewood, Operations Manager: Pinewood Digital

Belle (2013)

Directed by: Amma Asante

Cinematography by: Ben Smithard

Edited by: Victoria Boydell, Pia Di Ciaula

Cameras: Sony CineAlta F65 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

A Fantastic Fear of Everything | ShotOnWhat?

Operations Manager: Pinewood Digital

A Fantastic Fear of Everything (2012)

Directed by: Crispian Mills, Chris Hopewell

Cinematography by: Simon Chaudoir

Edited by: Dan Roberts

Cameras: ARRI ALEXA Camera

My Week with Marilyn | ShotOnWhat?

Sound Mix Technician

My Week with Marilyn (2011)

Directed by: Simon Curtis

Cinematography by: Ben Smithard

Edited by: Adam Recht

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Hanna | ShotOnWhat?

Mix Technician

Hanna (2011)

Directed by: Joe Wright

Cinematography by: Alwin H. Küchler

Edited by: Paul Tothill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

One Day | ShotOnWhat?

Sound Mix Technician

One Day (2011)

Directed by: Lone Scherfig

Cinematography by: Benoît Delhomme

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Eagle | ShotOnWhat?

Sound Mix Technician

The Eagle (2011)

Directed by: Kevin Macdonald

Cinematography by: Anthony Dod Mantle

Edited by: Justine Wright

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-1D Mark IV Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Hysteria | ShotOnWhat?

Sound Mix Technician

Hysteria (2011)

Directed by: Tanya Wexler

Cinematography by: Sean Bobbitt

Edited by: Jon Gregory

4.3.2.1. | ShotOnWhat?

Assistant Sound Re-recording Mixer

4.3.2.1. (2010)

Directed by: Noel Clarke, Mark Davis

Cinematography by: Franco Pezzino

Edited by: Mark Davis, Mark Everson

Kick-Ass | ShotOnWhat?

Sound Mix Technician

Kick-Ass (2010)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Eddie Hamilton, Jon Harris, Pietro Scalia

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Never Let Me Go | ShotOnWhat?

Sound Mix Technician

Never Let Me Go (2010)

Directed by: Mark Romanek

Cinematography by: Adam Kimmel

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

The Nutcracker in 3D | ShotOnWhat?

Sound Mix Technician

The Nutcracker in 3D (2010)

Directed by: Andrey Konchalovskiy

Cinematography by: Mike Southon

Edited by: Mathieu Bélanger, Andrew Glen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Nine | ShotOnWhat?

Sound Mix Technician

Nine (2009)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Claire Simpson, Wyatt Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Doomsday | ShotOnWhat?

Sound Mix Technician

Doomsday (2008)

Directed by: Neil Marshall

Cinematography by: Sam McCurdy

Edited by: Andrew MacRitchie, Neil Marshall

Eden Lake | ShotOnWhat?

Sound Mix Technician

Eden Lake (2008)

Directed by: James Watkins

Cinematography by: Christopher Ross

Edited by: Jon Harris

Black Book | ShotOnWhat?

Sound Mix Technician

Black Book (2006)

Directed by: Paul Verhoeven

Cinematography by: Karl Walter Lindenlaub

Edited by: James Herbert, Job ter Burg

Alex Rider: Operation Stormbreaker | ShotOnWhat?

Sound Mix Technician

Alex Rider: Operation Stormbreaker (2006)

Directed by: Geoffrey Sax

Cinematography by: Chris Seager

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses

Kingdom of Heaven | ShotOnWhat?

Sound Department Runner

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Keeping Mum | ShotOnWhat?

Sound Mix Technician

Keeping Mum (2005)

Directed by: Niall Johnson

Cinematography by: Gavin Finney

Edited by: Robin Sales

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Doom | ShotOnWhat?

Sound Department Runner

Doom (2005)

Directed by: Andrzej Bartkowiak

Cinematography by: Tony Pierce-Roberts

Edited by: Derek Brechin

©2012 - 2024 ShotOnWhat?

20254.20