David Sardi

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First Assistant Director: Second Unit

Avengers: Endgame (2019)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

First Assistant Director: Second Unit

Avengers: Infinity War (2018)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

First Assistant Director: Second Unit

Allegiant (2016)

Motion Picture

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

First Assistant Director

Terminator Genisys (2015)

Motion Picture

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

First Assistant Director: Credit Sequence

Ted 2 (2015)

Motion Picture

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony CineAlta F65 Camera

Lenses: Panavision Primo Primes Spherical Lenses

First Assistant Director

Need for Speed (2014)

Motion Picture

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

First Assistant Director: Second Unit

Identity Thief (2013)

Motion Picture

Directed by: Seth Gordon

Cinematography by: Javier Aguirresarobe

Edited by: Peter Teschner

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

First Assistant Director: Second Unit

G.I. Joe: Retaliation (2013)

Motion Picture

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

First Assistant Director

The Lucky One (2012)

Motion Picture

Directed by: Scott Hicks

Cinematography by: Alar Kivilo

Edited by: Scott Gray

First Assistant Director: Second Unit, South Africa

Safe House (2012)

Motion Picture

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

First Assistant Director: Second Unit

Horrible Bosses (2011)

Motion Picture

Directed by: Seth Gordon

Cinematography by: David Hennings

Edited by: Peter Teschner

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

First Assistant Director: 2nd Unit Arizona / First Assistant Director: Train Unit

Fast Five (2011)

Motion Picture

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Associate Producer, First Assistant Director

Main Street (2010)

Motion Picture

Directed by: John Doyle

Cinematography by: Donald McAlpine

Edited by: Neil Farrell, Richard Francis-Bruce, Trudy Ship

First Assistant Director: Second Unit

The Town (2010)

Motion Picture

Directed by: Ben Affleck

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

First Assistant Director

Superhero Movie (2008)

Motion Picture

Directed by: Craig Mazin

Cinematography by: Thomas E. Ackerman

Edited by: Andrew S. Eisen, Craig Herring, Dan Schalk

Cameras: ARRI Cameras

First Assistant Director

Hancock (2008)

Motion Picture

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

First Assistant Director: Second Unit

Yes Man (2008)

Motion Picture

Directed by: Peyton Reed

Cinematography by: Robert D. Yeoman

Edited by: Craig Alpert

Cameras: Panavision Cameras

First Assistant Director

Fun with Dick and Jane (2005)

Motion Picture

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

First Assistant Director

The Punisher (2004)

Motion Picture

Directed by: Jonathan Hensleigh

Cinematography by: Conrad W. Hall

Edited by: Jeff Gullo, Steven Kemper, John Leonetti

First Assistant Director: Second Unit, Unit Production Manager: Second Unit

The Italian Job (2003)

Motion Picture

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

First Assistant Director: Additional Second Unit

Hollywood Homicide (2003)

Motion Picture

Directed by: Ron Shelton

Cinematography by: Barry Peterson

Edited by: Paul Seydor

Cameras: Panavision Panaflex Camera

First Assistant Director

The Sum of All Fears (2002)

Motion Picture

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Nicolas De Toth, Neil Travis

First Assistant Director

Star Trek: Nemesis (2002)

Motion Picture

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

First Assistant Director

The Score (2001)

Motion Picture

Directed by: Frank Oz

Cinematography by: Rob Hahn

Edited by: Richard Pearson

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

First Assistant Director, Popeye's Cashier

Little Nicky (2000)

Motion Picture

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

First Assistant Director

Bicentennial Man (1999)

Motion Picture

Directed by: Chris Columbus

Cinematography by: Phil Meheux

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

First Assistant Director

Gloria (1999)

Motion Picture

Directed by: Sidney Lumet

Cinematography by: David Watkin

Edited by: Tom Swartwout

First Assistant Director

You've Got Mail (1998)

Motion Picture

Directed by: Nora Ephron

Cinematography by: John Lindley

Edited by: Richard Marks

First Assistant Director

Dante's Peak (1997)

Motion Picture

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

First Assistant Director

Nixon (1995)

Motion Picture

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

First Assistant Director

Waterworld (1995)

Motion Picture

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

First Assistant Director

Speed (1994)

Motion Picture

Directed by: Jan de Bont

Cinematography by: Andrzej Bartkowiak

Edited by: John Wright

Cameras: Beaumont Vista Vision Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

First Assistant Director

Nell (1994)

Motion Picture

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Jim Clark

First Assistant Director

Judgment Night (1993)

Motion Picture

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tim Wellburn

First Assistant Director

Blink (1993)

Motion Picture

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Rick Shaine

Big Girls Don't Cry... They Get Even | ShotOnWhat?

First Assistant Director

Big Girls Don't Cry... They Get Even (1992)

Motion Picture

Directed by: Joan Micklin Silver

Cinematography by: Theo van de Sande

Edited by: Janice Hampton

First Assistant Director

Ricochet (1991)

Motion Picture

Directed by: Russell Mulcahy

Cinematography by: Peter Levy

Edited by: Peter Honess

Born on the Fourth of July | ShotOnWhat?

Second Assistant Director

Born on the Fourth of July (1989)

Motion Picture

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: David Brenner, Joe Hutshing

Cameras: Panavision Cameras, Panavision Panaflex Camera

Lenses: Panavision Lenses

Editing System: Moviola Editing System

Second Assistant Director

The Dream Team (1989)

Motion Picture

Directed by: Howard Zieff

Cinematography by: Adam Holender

Edited by: Carroll Timothy O'Meara

Cameras: Panavision Cameras

Second Assistant Director

Sea of Love (1989)

Motion Picture

Directed by: Harold Becker

Cinematography by: Ronnie Taylor

Edited by: David Bretherton

The House on Carroll Street | ShotOnWhat?

Second Second Assistant Director

The House on Carroll Street (1987)

Motion Picture

Directed by: Peter Yates

Cinematography by: Michael Ballhaus

Edited by: Ray Lovejoy

Cameras: ARRI Cameras

Lenses: Zeiss Lenses

Second Second Assistant Director: New York

3 Men and a Baby (1987)

Motion Picture

Directed by: Leonard Nimoy

Cinematography by: Adam Greenberg

Edited by: Michael A. Stevenson

Production Assistant

After Hours (1985)

Motion Picture

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Set Production Assistant: New York

Prizzi's Honor (1985)

Motion Picture

Directed by: John Huston

Cinematography by: Andrzej Bartkowiak

Edited by: Kaja Fehr, Rudi Fehr

Production Assistant

Death of a Salesman (1985)

Television Movie

Directed by: Volker Schlöndorff

Cinematography by: Michael Ballhaus

Edited by: Mark Burns, David Ray

Production Assistant

Falling in Love (1984)

Motion Picture

Directed by: Ulu Grosbard

Cinematography by: Peter Suschitzky

Edited by: Michael Kahn

Production Assistant

The Survivors (1983)

Motion Picture

Directed by: Michael Ritchie

Cinematography by: Billy Williams

Edited by: Richard A. Harris

Production Assistant

Tootsie (1982)

Motion Picture

Directed by: Sydney Pollack

Cinematography by: Owen Roizman

Edited by: Fredric Steinkamp, William Steinkamp

Cameras: Panavision Cameras

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David Sardi

First Assistant Director: Second Unit

First Assistant Director: Second Unit

First Assistant Director: Second Unit

First Assistant Director

First Assistant Director: Credit Sequence

First Assistant Director

First Assistant Director: Second Unit

First Assistant Director: Second Unit

First Assistant Director

First Assistant Director: Second Unit, South Africa

First Assistant Director: Second Unit

First Assistant Director: 2nd Unit Arizona / First Assistant Director: Train Unit

Associate Producer, First Assistant Director

First Assistant Director: Second Unit

First Assistant Director

First Assistant Director

First Assistant Director: Second Unit

First Assistant Director

First Assistant Director

First Assistant Director: Second Unit, Unit Production Manager: Second Unit

First Assistant Director: Additional Second Unit

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director, Popeye's Cashier

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

Second Assistant Director

Second Assistant Director

Second Assistant Director

Second Second Assistant Director

Second Second Assistant Director: New York

Production Assistant

Set Production Assistant: New York

Production Assistant

Production Assistant

Production Assistant

Production Assistant

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