VFX Supervisor / Visual Effects Supervisor
'The Wilds' Day 50/33 (2022)
Directed by: Aurora Guerrero
Cinematography by: Matt Toll
VFX Supervisor / Visual Effects Supervisor
'The Wilds' Day 46/26 (2022)
Directed by: Ben C. Lucas
Cinematography by: Rob Marsh
Edited by: Tuan Quoc Le
VFX Supervisor / Visual Effects Supervisor
'The Wilds' Day 45/16 (2022)
Directed by: Ben C. Lucas
Cinematography by: Rob Marsh
Edited by: Phillip J. Bartell
VFX Supervisor / Visual Effects Supervisor
'The Wilds' Day 42/15 (2022)
Directed by: Nima Nourizadeh
Cinematography by: Matt Toll
Edited by: Brad Katz
VFX Supervisor / Visual Effects Supervisor
'The Wilds' Day 36/14 (2022)
Directed by: Nima Nourizadeh
Cinematography by: Matt Toll
Edited by: Tuan Quoc Le
VFX Supervisor / Visual Effects Supervisor
'The Wilds' Day 34/12 (2022)
Directed by: Alison Maclean
Cinematography by: Rob Marsh
Edited by: Phillip J. Bartell
VFX Supervisor / Visual Effects Supervisor
'The Wilds' Day 30/1 (2022)
Directed by: Alison Maclean
Cinematography by: Rob Marsh
Digital Effects Supervisor, Digital Effects Supervisor: Digital Domain
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Cg Supervisor
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Compositing Supervisor: Scanline VFX
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Cg Supervisor
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Cg Supervisor
Pompeii (2014)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Michele Conroy
Cameras: Red Epic Camera
Editing System: Avid Editing System
Cg Supervisor
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Cg Supervisor
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
CG Supervisor
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
CG Supervisor
The Mortal Instruments: City of Bones (2013)
Directed by: Harald Zwart
Cinematography by: Geir Hartly Andreassen
Edited by: Jacqueline Carmody
CG Supervisor
Beowulf (2007)
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Technical Director
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Technical Supervisor: SPI
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Sequence Technical Director
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Technical Director: SPI
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Compositing Artist
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Technical Director: SPI
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Bonsai Compositor: SPI
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Match Move Lead
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Compositor: DQI
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Compositor: DQI
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Compositor: Dream Quest Images
Deep Rising (1998)
Directed by: Stephen Sommers
Cinematography by: Howard Atherton
2D Digital Artist: Todd-AO
Switchback (1997)
Directed by: Jeb Stuart
Cinematography by: Oliver Wood
Edited by: Conrad Buff IV
Digital Artist: Todd-AO Digital Images
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
