Digital Producer: Method Studios
Contagion (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One MX Camera
Lenses: Red Pro Prime Lenses
Visual Effects Project Manager: CIS Hollywood
Thin Ice (2011)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Visual Effects Digital Producer: Method Studios
The Ides of March (2011)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Project Manager: CIS Hollywood
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Visual Effects Project Manager: CIS Hollywood
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Visual Effects Project Manager: CIS Hollywood
Sex and the City 2 (2010)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Project Manager: CIS Hollywood
The Last Song (2010)
Directed by: Julie Anne Robinson
Cinematography by: John Lindley
Edited by: Nancy Richardson
Visual Effects Project Manager: CIS Hollywood
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Visual Effects Project Manager: CIS Hollywood
The Informant! (2009)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One Camera
Visual Effects Production Manager: CIS Hollywood
Get Low (2009)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Edited by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Final Cut Pro Editing System
Visual Effects Project Manager: CIS Hollywood
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Visual Effects Production Manager: CIS Hollywood
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Production Manager: CIS Hollywood
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Production Supervisor: CIS Hollywood
The Express (2008)
Directed by: Gary Fleder
Cinematography by: Kramer Morgenthau
Visual Effects Project Manager: CIS Hollywood
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Visual Effects Project Manager: CIS Hollywood
Twilight (2008)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Coordinator: CIS Hollywood
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Visual Effects Project Manager: CIS Hollywood
Breach (2007)
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Visual Effects Coordinator: CIS Hollywood
Wind Chill (2007)
Directed by: Gregory Jacobs
Cinematography by: Dan Laustsen
Edited by: Lee Percy
Visual Effects Coordinator: CIS Hollywood
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Visual Effects Coordinator: CIS Hollywood
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Visual Effects Coordinator: CIS Hollywood
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Coordinator: CIS Hollywood
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Visual Effects Coordinator: CIS Hollywood
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Visual Effects Coordinator: CIS Hollywood
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Visual Effect Coordinator: CIS Hollywood
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Visual Effects Coordinator: CIS Hollywood
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Visual Effects Coordinator: CIS Hollywood
The Break-Up (2006)
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Visual Effects Coordinator: CIS Hollywood
You, Me and Dupree (2006)
Cinematography by: Charles Minsky
Visual Effects Coordinator: CIS Hollywood
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects Production Coordinator: Digital Domain
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Visual Effects Coordinator: Digital Domain
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Visual Effects Coordinator: CIS Hollywood
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Visual Effects Coordinator: Rhythm & Hues
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Visual Effects Coordinator: Rhythm & Hues
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
