Rachel Clark

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The Batman | ShotOnWhat?

Camera Operator: Main Unit, Dailies

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Landscapers | ShotOnWhat?

B Camera Operator: Dailies - 4 Episodes, 2021

Landscapers (2021)

Directed by: Will Sharpe

Cinematography by: Erik Wilson

Edited by: Elen Pierce Lewis

Dune | ShotOnWhat?

Additional Camera Operator

Dune (2021)

Directed by: Denis Villeneuve

Cinematography by: Greig Fraser

Edited by: Joe Walker

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Black Panther | ShotOnWhat?

First Assistant Camera: Second Unit, South Korea

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

"The Crown" A Company of Men | ShotOnWhat?

First Assistant Camera: Dailies

'The Crown' A Company of Men (2017)

Television Episode

Directed by: Philip Martin

Cinematography by: Stuart Howell

Edited by: Celia Haining

Fast 8 | ShotOnWhat?

First Assistant Camera: 2nd Unit Iceland

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Fantastic Beasts and Where to Find Them | ShotOnWhat?

First Assistant Camera: 2nd Unit - Dailies

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

American Honey | ShotOnWhat?

First Assistant Camera "a" Camera

American Honey (2016)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Joe Bini

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera

The Legend of Tarzan | ShotOnWhat?

Second Assistant Camera: ''b'' Camera, Second Unit

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Captain America: Civil War | ShotOnWhat?

Second Assistant Camera: "a" Camera, Second Unit, Berlin

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

45 Years | ShotOnWhat?

Additional Clapper Loader

45 Years (2015)

Directed by: Andrew Haigh

Cinematography by: Lol Crawley

Edited by: Jonathan Alberts

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Jack Ryan: Shadow Recruit | ShotOnWhat?

Second Assistant Camera: 2nd Unit Dailies

Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Paddington | ShotOnWhat?

Second Assistant Camera "b" Camera / Second Assistant Camera: "b" Camera

Paddington (2014)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Mark Everson

Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses

RED 2 | ShotOnWhat?

Second Assistant Camera

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Thor: The Dark World | ShotOnWhat?

Second Assistant Camera: 2nd Unit Dailies

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

World War Z | ShotOnWhat?

Second Assistant Photographer

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Les Misérables | ShotOnWhat?

Additional Second Assistant Camera

Les Misérables (2012)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Chris Dickens, Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Killer Elite | ShotOnWhat?

Central Loader: UK

Killer Elite (2011)

Directed by: Gary McKendry

Cinematography by: Simon Duggan

Edited by: John Gilbert

The Veteran | ShotOnWhat?

Second Assistant Camera: Dailies

The Veteran (2011)

Directed by: Matthew Hope

Cinematography by: Philipp Blaubach

Edited by: Emma Gaffney

Wuthering Heights | ShotOnWhat?

Second Assistant "a" Camera

Wuthering Heights (2011)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Nicolas Chaudeurge

Robin Hood | ShotOnWhat?

Additional Second Assistant Camera: Second Unit

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

I Am Slave | ShotOnWhat?

Second Assistant Camera

I Am Slave (2010)

Directed by: Gabriel Range

Cinematography by: Robbie Ryan

Edited by: Brand Thumim

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Fish Tank | ShotOnWhat?

Second Assistant Camera

Fish Tank (2009)

Directed by: Andrea Arnold

Cinematography by: Robbie Ryan

Edited by: Nicolas Chaudeurge

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Bronson | ShotOnWhat?

Clapper Loader

Bronson (2008)

Directed by: Nicolas Winding Refn

Cinematography by: Larry Smith

Edited by: Matthew Newman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra 16 Lenses

Control | ShotOnWhat?

Camera Trainee

Control (2007)

Directed by: Anton Corbijn

Cinematography by: Martin Ruhe

Edited by: Andrew Hulme

Tristram Shandy: A Cock and Bull Story | ShotOnWhat?

Set Runner: East Midlands

Tristram Shandy: A Cock and Bull Story (2005)

Directed by: Michael Winterbottom

Cinematography by: Marcel Zyskind

Edited by: Peter Christelis

Cameras: Sony HDC-750 Camera

Lenses: Canon HJ Series Lenses, Zeiss DigiPrime Lenses

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