Visual Effects Consultant
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Co-producer, Second Unit Director
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Visual Effects Supervisor
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Production Executive
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Production Executive
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Production Executive
Welcome to Mooseport (2004)
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Production Executive
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Second Unit Director
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Executive
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Second Unit Director, Visual Effects Supervisor / Visual Effects Unit Director
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Second Unit Director
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Second Unit Director, Visual Effects Supervisor
Shallow Hal (2001)
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Visual Effects Supervisor
Joe Somebody (2001)
Directed by: John Pasquin
Cinematography by: Daryn Okada
Edited by: David Finfer
Production Executive
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Second Unit Director, Visual Effects Supervisor
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Production Executive
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Second Unit Director, Visual Effects Supervisor
Dude, Where's My Car? (2000)
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Visual Effects Supervisor
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Visual Effects Supervisor
Men of Honor (2000)
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Visual Effects Supervisor
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Visual Effects Supervisor
Never Been Kissed (1999)
Directed by: Raja Gosnell
Cinematography by: Alex Nepomniaschy
Visual Effects Supervisor
Anywhere But Here (1999)
Directed by: Wayne Wang
Cinematography by: Roger Deakins
Edited by: Nicholas C. Smith
Visual Effects Supervisor
A Midsummer Night's Dream (1999)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Second Unit Director, Visual Effects Supervisor
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Production Executive
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Production Executive
Firestorm (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Visual Effects Supervisor
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Visual Effects Supervisor
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Executive
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Production Executive
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Visual Effects Supervision
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Visual Effects Supervisor
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
