Associate VFX Supervisor: Hybride
Beau Is Afraid (2023)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Sony CineAlta VENICE Camera
Visual Effects Creative Supervisor: Hybride
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Creative Supervisor: Hybride
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Digital Compositor: Rodeo FX
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Visual Effects Creative Supervisor: Hybride
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Digital Compositor: Hybride
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Digital Compositor: Rodeo FX
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Digital Compositor: Rodeo FX
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Creative Supervisor: Hybride
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Digital Compositor: Hybride
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Visual Effects: Rodeo FX
'Game of Thrones' Battle of the Bastards (2016)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Digital Compositor: Rodeo FX
Nine Lives (2016)
Directed by: Barry Sonnenfeld
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRI ALEXA Mini Camera
Compositor: Rodeo FX
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Digital Compositor: Hybride
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Digital Compositor: Hybride
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Lead Digital Compositor: Hybride
The Smurfs 2 (2013)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Sony CineAlta F65 Camera
Digital Compositor: Hybride
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Compositor: Hybride Technologies
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Lead Digital Compositor: Hybride
Spy Kids 4: All the Time in the World (2011)
Directed by: Robert Rodriguez
Edited by: Dan Zimmerman
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Visual Effects: Rodeo FX - 1 Episode, 2016
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Lead Digital Compositor: Hybride
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Digital Compositor: Hybride
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Digital Artist: Hybride
Orphan (2009)
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Digital Compositor: Hybride
Shorts (2009)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: Panavision Genesis Camera
Digital Compositor: Hybride
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Digital Compositor: Hybride
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Digital Compositor: Hybride
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Digital Compositor: Hybride
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Visual Effects: Hybride
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Lead Compositor
O Jerusalem (2006)
Directed by: Élie Chouraqui
Cinematography by: Giovanni Fiore Coltellacci
Digital Compositor
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Digital Effects Artist: Eclair Numerique
Two Brothers (2004)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Noëlle Boisson
Inferno Artist
Ruby & Quentin (2003)
Directed by: Francis Veber
Cinematography by: Luciano Tovoli
Edited by: Georges Klotz
Inferno Artist / Digital Artist
Taxi 3 (2003)
Directed by: Gérard Krawczyk
Cinematography by: Gérard Sterin
Edited by: Yann Hervé
Inferno Artist
Fanfan (2003)
Directed by: Gérard Krawczyk
Cinematography by: Gérard Simon
Edited by: Nicolas Trembasiewicz
Inferno Artist
The Transporter (2002)
Cinematography by: Pierre Morel
Edited by: Nicolas Trembasiewicz
Inferno Artist
Man on the Train (2002)
Directed by: Patrice Leconte
Cinematography by: Jean-Marie Dreujou
Edited by: Joëlle Hache
Inferno Artist / Digital Compositor
Kiss of the Dragon (2001)
Directed by: Chris Nahon
Cinematography by: Thierry Arbogast
Edited by: Marco Cavé
