Visual Effects Supervisor: FatBellyVFX
Sonic the Hedgehog 2 (2022)
Directed by: Jeff Fowler
Cinematography by: Brandon Trost
Edited by: Jim May
Cameras: ARRI ALEXA Mini LF Camera
Editing System: Avid Editing System
Visual Effects: Image Engine
'Game of Thrones' Winterfell (2019)
Directed by: David Nutter
Cinematography by: David Franco
Edited by: Crispin Green
Visual Effects: Image Engine
'Game of Thrones' The Long Night (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visual Effects: Image Engine
'Game of Thrones' The Bells (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visual Effects: Image Engine
'Game of Thrones' The Iron Throne (2019)
Cinematography by: Jonathan Freeman
Edited by: Katie Weiland
Visual Effects Supervisor: Image Engine
Overlord (2018)
Directed by: Julius Avery
Edited by: Matt Evans
Compositing Supervisor: Image Engine
Kin (2018)
Cinematography by: Larkin Seiple
Edited by: Mark Day
Cameras: ARRI ALEXA Mini Camera
Visual Effects: Image Engine
'Game of Thrones' Eastwatch (2017)
Directed by: Matt Shakman
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Digital Compositor
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Sequence Supervisor: Scanline VFX
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Visual Effects: Scanline VFX Vancouver/Los Angeles
'Game of Thrones' First of His Name (2014)
Directed by: Michelle MacLaren
Cinematography by: Robert McLachlan
Edited by: Crispin Green
Visual Effects: Scanline VFX
'Game of Thrones' The Children (2014)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Digital Compositior
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Compositor: Image Engine
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Compositor: Digital Domain
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Senior Compositor
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects: Image Engine / Visual Effects: Scanline VFX / Visual Effects: Scanline VFX Vancouver/Los Angeles - 7 Episodes, 2014-2019
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Digital Compositor
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Digital Compositor
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Goldtooth Creative
District 9 (2009)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Edited by: Julian Clarke
Cameras: Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Editing System: Adobe Premiere Editing System
Lead Compositor: Artifex Studios
While She Was Out (2008)
Directed by: Susan Montford
Cinematography by: Steve Gainer
Edited by: William M. Anderson
Compositor
Babylon 5: The Lost Tales (2007)
Cinematography by: Karl Herrmann
Edited by: Stein Myhrstad
Lead Compositor
Wrong Turn 2: Dead End (2007)
Directed by: Joe Lynch
Cinematography by: Robin Loewen
Edited by: Ed Marx
Compositor: Atmosphere Feature Effects
Air Buddies (2006)
Directed by: Robert Vince
Cinematography by: Mike Southon
Compositor: Rainmaker
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Compositor: Rainmaker
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Digital Fusion Compositor: Rainmaker
Good Boy! (2003)
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Cameras: Panavision Cameras
Lenses: Panavision Lenses
2D Digital Compositor: Digital Slaves VFX
Air Bud: Seventh Inning Fetch (2002)
Directed by: Robert Vince
Cinematography by: Glen Winter
