Account Executive: Harbor Picture Company
Midsommar (2019)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Panavision Millennium DXL2 Camera
Lenses: Panavision Primo Artiste Lenses
Account Executive: Harbor Picture Company
Boy Erased (2018)
Directed by: Joel Edgerton
Cinematography by: Eduard Grau
Edited by: Jay Rabinowitz
Lenses: Zeiss Super Speed Lenses
Account Executive
Mudbound (2017)
Directed by: Dee Rees
Cinematography by: Rachel Morrison
Edited by: Mako Kamitsuna
Cameras: ARRI ALEXA Mini Camera
Senior Digital Intermediate Producer
'Billions' Where the F*ck Is Donnie? (2016)
Directed by: Susanna White
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Senior Digital Intermediate Producer - 12 Episodes, 2016
Billions (2016)
Directed by: Colin Bucksey, Neil Burger, John Dahl, Anna Boden, Ryan Fleck, Karyn Kusama, James Foley, Noah Emmerich, Jessica Yu, Adam Bernstein, Matthew McLoota, Michael Cuesta, Stephen Gyllenhaal, Scott Hornbacher, Neil LaBute, Susanna White, Adam Arkin, Ed Bianchi, Alex Gibney, Steph Green, Oliver Hirschbiegel, Reed Morano, John Singleton, Mike Binder, Michael Morris, Stacie Passon, Jake Polonsky, Matt Shakman, Laurie Collyer, Naomi Geraghty, Clement Virgo
Cinematography by: Jake Polonsky, Radium Cheung, Giorgio Scali, Alexander Dynan, Eric Steelberg, Joseph E. Gallagher
Account Executive, Account Executive: Harbor Picture Company
Paterson (2016)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Affonso Gonçalves
Senior Digital Intermediate Producer
'Billions' The Conversation (2016)
Directed by: Michael Cuesta
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Senior Digital Intermediate Producer
'Billions' Magical Thinking (2016)
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Senior Digital Intermediate Producer
'Billions' Quality of Life (2016)
Directed by: Karyn Kusama
Cinematography by: Radium Cheung
Edited by: Susan E. Morse
Senior Digital Intermediate Producer
'Billions' Boasts and Rails (2016)
Directed by: John Dahl
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Senior Digital Intermediate Producer
'Billions' The Deal (2016)
Directed by: James Foley
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Senior Digital Intermediate Producer
'Billions' The Punch (2016)
Directed by: Stephen Gyllenhaal
Cinematography by: Jake Polonsky
Edited by: Susan E. Morse
Senior Digital Intermediate Producer
'Billions' The Good Life (2016)
Directed by: Neil LaBute
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Senior Digital Intermediate Producer
'Billions' Short Squeeze (2016)
Directed by: James Foley
Cinematography by: Jake Polonsky
Edited by: Susan E. Morse
Senior Digital Intermediate Producer
'Billions' YumTime (2016)
Directed by: Scott Hornbacher
Cinematography by: Jake Polonsky
Edited by: Naomi Geraghty
Senior Digital Intermediate Producer
'Billions' Naming Rights (2016)
Directed by: Neil Burger
Cinematography by: Jake Polonsky
Edited by: Marnee Meyer
Senior Digital Intermediate Producer
'Billions' Pilot (2016)
Directed by: Neil Burger
Cinematography by: Eric Steelberg
Edited by: Naomi Geraghty
Senior Digital Intermediate Producer
Magic Mike XXL (2015)
Directed by: Gregory Jacobs
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Dragon Camera
Digital Intermediate Producer
Freedom (2014)
Directed by: Peter Cousens
Cinematography by: Dean Cundey
Edited by: Ray Hubley
Senior Digital Intermediate Producer: Harbor Picture Company
I Origins (2014)
Directed by: Mike Cahill
Cinematography by: Markus Förderer
Edited by: Mike Cahill
Cameras: Red Epic Camera
Senior Digital Intermediate Producer
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Additional Digital Intermediate Visual Effects Producer: Deluxe New York
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Project Manager: Deluxe New York
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Senior Digital Intermediate Producer
Gods Behaving Badly (2013)
Directed by: Marc Turtletaub
Cinematography by: Tak Fujimoto
Cameras: ARRI ALEXA Camera
Digital Intermediate Producer: New York
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Digital Intermediate Project Manager
To Rome with Love (2012)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Digital Intermediate Project Manager
Being Flynn (2012)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Digital Intermediate Project Manager
A Late Quartet (2012)
Directed by: Yaron Zilberman
Cinematography by: Frederick Elmes
Edited by: Yuval Shar
Digital Intermediate Project Manager
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Digital Intermediate Producer
Jack & Diane (2012)
Directed by: Bradley Rust Gray
Cinematography by: Anne Misawa
Digital Intermediate Producer
For Ellen (2012)
Directed by: So Yong Kim
Cinematography by: Reed Morano
Digital Intermediate Project Manager
Friends with Kids (2011)
Directed by: Jennifer Westfeldt
Cinematography by: William Rexer
Edited by: Tara Timpone
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Digital Clean-up Artist: Deluxe New York & Next Element By Deluxe
The Son of No One (2011)
Directed by: Dito Montiel
Cinematography by: Benoît Delhomme
Edited by: Jake Pushinsky
Digital Intermediate Producer
Return (2011)
Directed by: Liza Johnson
Cinematography by: Anne Etheridge
Edited by: Paul Zucker
Cameras: ARRIFLEX 416 Camera
Lenses: Cooke S4 Lenses
Digital Intermediate Producer: Deluxe NY
Another Earth (2011)
Directed by: Mike Cahill
Cinematography by: Mike Cahill
Edited by: Mike Cahill
Cameras: Sony PMW-EX3 Camera
Digital Intermediate Project Manager
Our Idiot Brother (2011)
Directed by: Jesse Peretz
Cinematography by: Yaron Orbach
Digital Restoration Artist
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Digital Intermediate Producer
Silent House (2011)
Cinematography by: Igor Martinovic
Cameras: Canon EOS-5D Mark II Camera
Lenses: Zeiss Compact Prime Lenses
Digital Intermediate Project Manager
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Digital Intermediate Producer
Peace, Love & Misunderstanding (2011)
Directed by: Bruce Beresford
Cinematography by: Andre Fleuren
Edited by: John David Allen
Digital Restoration Artist
Morning Glory (2010)
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Data Management
Happythankyoumoreplease (2010)
Directed by: Josh Radnor
Cinematography by: Seamus Tierney
Edited by: Michael R. Miller
Qc Lead: Deluxe New York
The Extra Man (2010)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Digital Intermediate Qc
Shanghai (2010)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Data Management
3 Backyards (2010)
Directed by: Eric Mendelsohn
Cinematography by: Kasper Tuxen
Cameras: Red One Camera
Quality Control Lead
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Digital Restoration Artist
Letters to Juliet (2010)
Directed by: Gary Winick
Cinematography by: Marco Pontecorvo
Edited by: Bill Pankow
Digital Restoration Artist
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Digital Intermediate Qc
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Digital Restoration Artist
Did You Hear About the Morgans? (2009)
Directed by: Marc Lawrence
Cinematography by: Florian Ballhaus
Edited by: Susan E. Morse
Cameras: ARRICAM Studio (ST) Camera
Lenses: Hawk V-Series Lenses
Digital Intermediate Coordinator
Hachi: A Dog's Tale (2009)
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden
Digital Intermediate Coordinator
The Limits of Control (2009)
Directed by: Jim Jarmusch
Cinematography by: Christopher Doyle
Edited by: Jay Rabinowitz
Qc Lead: Deluxe New York
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Digital Intermediate Coordinator
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Intermediate Coordinator
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Digital Intermediate Coordinator
Cadillac Records (2008)
Directed by: Darnell Martin
Cinematography by: Anastas N. Michos
Edited by: Peter C. Frank
Digital Intermediate Coordinator
Gigantic (2008)
Directed by: Matt Aselton
Cinematography by: Peter Donahue
Edited by: Beatrice Sisul
Digital Restoration Artist
Bad Boy Bubby (1993)
Directed by: Rolf de Heer
Cinematography by: Ian Jones
Edited by: Suresh Ayyar
Cameras: Technovision Cameras
Lenses: Technovision Lenses
