Patricia Rose Duignan

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21 Jump Street | ShotOnWhat?

Visual Effects Executive Producer: DuMonde Visual Effects

21 Jump Street (2012)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

Big Miracle | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

Big Miracle (2012)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

I Am Number Four | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Abduction | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

Abduction (2011)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Transformers: Dark of the Moon | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Priest | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Cowboys & Aliens | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Killers | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

Killers (2010)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Richard Francis-Bruce, Mary Jo Markey

Cameras: ARRIFLEX D-21 Camera

Lenses: Hawk V-Series Lenses

The Last Airbender | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Other Guys | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

The Other Guys (2010)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Iron Man 2 | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Visual Effects Executive Producer: Kerner Optical

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Terminator Salvation | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Transformers: Revenge of the Fallen | ShotOnWhat?

Visual Effects Executive Producer: Kerner Optical

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Production Supervisor: ILM

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Star Trek II: The Wrath of Khan | ShotOnWhat?

Production Supervisor: ILM

Star Trek II: The Wrath of Khan (1982)

Directed by: Nicholas Meyer

Cinematography by: Gayne Rescher

Edited by: William Paul Dornisch

Cameras: Dykstraflex Camera, Panavision Cameras

Star Wars: Episode IV - A New Hope | ShotOnWhat?

Production Staff: Miniature And Optical Effects Unit

Star Wars: Episode IV - A New Hope (1977)

Directed by: George Lucas

Cinematography by: Gilbert Taylor

Edited by: Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

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