Lenses » ARRI Lenses » ARRI / Zeiss Lenses

ARRI / Zeiss Master Anamorphic Lenses : 24ARRI / Zeiss Zoom Lenses : 20Zeiss ARRI Macro Lenses : 7Zeiss Master Prime Lenses : 248Zeiss Standard Speed Prime Lenses : 50Zeiss Super Speed Lenses : 133Zeiss Ultra 16 Lenses : 15Zeiss Ultra Prime Lenses : 236Zeiss Variable Prime Lenses : 14

ARRI / Zeiss Lenses | 691 Titles

ARRI / Zeiss Lenses 5.00/5 1 Vote

« Previous 1 … 24 25 26 27 28 … 35 Next »

LessUpdatedTitleYear

Three Fugitives (1989)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green

Starring | Nick Nolte, Martin Short, Sarah Rowland Doroff, James Earl Jones

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Monster’s Ball (2001)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Billy Bob Thornton, Halle Berry, Taylor Simpson, Gabrielle Witcher

Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

A Few Best Men (2011)

Motion Picture | 2D | Color | 97 Minutes

A Few Best Men | ShotOnWhat?

Directed by | Stephan Elliott | Cinematography by | Stephen F. Windon | Editing by | Sue Blainey

Starring | Laura Brent, Xavier Samuel, Kris Marshall, Kevin Bishop

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

Melancholia (2011)

Motion Picture | 2D | Color | 2.39:1 | 135 Minutes

Melancholia | ShotOnWhat?

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Molly Malene Stensgaard

Starring | Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgård

Cameras | ARRI ALEXA Camera, Phantom HD Gold Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

The Clink of Ice (2010)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier

Starring | Jean Dujardin, Albert Dupontel, Anne Alvaro, Myriam Boyer

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

United 93 (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse

Starring | David Alan Basche, Olivia Thirlby, Liza Colón-Zayas, J.J. Johnson

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses

Inside Job (2010)

Documentary | 2D | 2K Project | Color | 109 Minutes

Directed by | Charles Ferguson | Cinematography by | Svetlana Cvetko, Kalyanee Mam | Editing by | Chad Beck, Adam Bolt

Starring | Matt Damon, Gylfi Zoega, Andri Snær Magnason, Sigridur Benediktsdottir

Cameras | Red One Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

Katy Perry: Part of Me (2012)

Motion Picture | 2D | Color | 93 Minutes

Katy Perry: Part of Me | ShotOnWhat?

Directed by | Dan Cutforth, Jane Lipsitz | Editing by | Scott Evans, Brian David Lazarte, Scott Richter, Hans van Riet

Starring | Katy Perry, Adam Marcello, Casey Hooper, Patrick Matera

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens

Gangs of New York (2002)

Motion Picture | 2D | Color | 2.39:1 | 167 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Cameron Diaz, Daniel Day-Lewis, Jim Broadbent

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Hope Springs (2012)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Steven Weisberg

Starring | Meryl Streep, Tommy Lee Jones, Steve Carell, Jean Smart

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Harry Potter and the Goblet of Fire (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 157 Minutes

Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley

Starring | Daniel Radcliffe, Emma Watson, Rupert Grint, Eric Sykes

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Martha Marcy May Marlene (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Sean Durkin | Cinematography by | Jody Lee Lipes | Editing by | Zachary Stuart-Pontier

Starring | Elizabeth Olsen, Sarah Paulson, John Hawkes, Christopher Abbott

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Alien Nation (1988)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Graham Baker | Cinematography by | Adam Greenberg | Editing by | Kent Beyda

Starring | James Caan, Mandy Patinkin, Terence Stamp, Kevyn Major Howard

Cameras | ARRIFLEX Camera

Lenses | ARRI / Zeiss Lenses

Sparkle (2012)

Motion Picture | 2D | Color | 2.35:1 | 116 Minutes

Sparkle | ShotOnWhat?

Directed by | Salim Akil | Cinematography by | Anastas N. Michos | Editing by | Terilyn A. Shropshire

Starring | Jordin Sparks, Carmen Ejogo, Whitney Houston, Derek Luke

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The French Connection (1971)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 104 Minutes

Directed by | William Friedkin | Cinematography by | Owen Roizman | Editing by | Gerald B. Greenberg

Starring | Gene Hackman, Roy Scheider, Fernando Rey, Tony Lo Bianco

Cameras | ARRIFLEX 35 IIC Camera

Lenses | ARRI / Zeiss Lenses

Trishna (2011)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Trishna | ShotOnWhat?

Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Mags Arnold

Starring | Freida Pinto, Riz Ahmed, Mita Vasisht, Harish Khanna

Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Red One Camera, Red One MX Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Death of a Superhero (2011)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Death of a Superhero | ShotOnWhat?

Directed by | Ian Fitzgibbon | Cinematography by | Tom Fährmann | Editing by | Tony Cranstoun

Starring | Thomas Brodie-Sangster, Lilly Forgach, Ian Fitzgibbon, Michael McElhatton

Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera

Lenses | Zeiss Ultra Prime Lenses

127 Hours (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 94 Minutes

Directed by | Danny Boyle | Cinematography by | Enrique Chediak, Anthony Dod Mantle | Editing by | Jon Harris

Starring | James Franco, Amber Tamblyn, Kate Mara, Sean Bott

Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Ultra Prime Lenses

Rise of the Planet of the Apes (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 105 Minutes

Directed by | Rupert Wyatt | Cinematography by | Andrew Lesnie | Editing by | Conrad Buff IV, Mark Goldblatt

Starring | James Franco, Andy Serkis, Freida Pinto, Karin Konoval

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

District 13: Ultimatum (2009)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Patrick Alessandrin | Cinematography by | Jean-François Hensgens | Editing by | Stéphane Garnier, Julien Rey

Starring | Cyril Raffaelli, David Belle, Philippe Torreton, Daniel Duval

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

« Previous 1 … 24 25 26 27 28 … 35 Next »

©2012 - 2025 ShotOnWhat?

20254.20