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Public Enemies (2009)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell

Starring | Christian Bale, Johnny Depp, Christian Stolte, Jason Clarke

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses | Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Un heureux événement (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine

Starring | Louise Bourgoin, Pio Marmaï, Josiane Balasko, Thierry Frémont

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Jackie Brown (1997)

Motion Picture | 2D | Color | 1.85:1 | 154 Minutes

Directed by | Quentin Tarantino | Cinematography by | Guillermo Navarro | Editing by | Sally Menke

Starring | Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda

Cameras | Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

To the Wonder (2012)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

To the Wonder | ShotOnWhat?

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Starring | Ben Affleck, Olga Kurylenko, Javier Bardem, Rachel McAdams

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses | Zeiss Master Prime Lenses

The Hangover Part II (2011)

Motion Picture | 2D | Color | 2.35:1 | 102 Minutes

The Hangover Part II | ShotOnWhat?

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher, Michael L. Sale

Starring | Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Before Night Falls (2000)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Julian Schnabel | Cinematography by | Xavier Grobet, Guillermo Rosas | Editing by | Michael Berenbaum

Starring | Javier Bardem, Johnny Depp, Olatz López Garmendia, Giovani Florido

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Super Speed Lenses

The Constant Gardener (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson

Starring | Ralph Fiennes, Rachel Weisz, Danny Huston, Hubert Koundé

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux HR Zoom Lenses

Vampire Effect (2003)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Dante Lam | Cinematography by | Man Po Cheung | Editing by | Ki-Hop Chan

Starring | Gillian Chung, Charlene Choi, Anthony Chau-Sang Wong, Ekin Cheng

Cameras | ARRIFLEX 435 Advanced Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Lenses

A Serious Man (2009)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Michael Stuhlbarg, Richard Kind, Sari Lennick, Fred Melamed

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Pirate Radio (2009)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Richard Curtis | Cinematography by | Danny Cohen | Editing by | Emma E. Hickox

Starring | Philip Seymour Hoffman, Bill Nighy, Nick Frost, Michael Hadley

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Kids Are All Right (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Lisa Cholodenko | Cinematography by | Igor Jadue-Lillo | Editing by | Jeffrey M. Werner

Starring | Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Ultra Prime Lenses

Cheong wong (2000)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Chi-Leung Law | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong

Starring | Leslie Cheung, Alex Fong, Ruby Wong, Vincent Kok

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Zeiss Lenses

360 (2011)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende

Starring | Rachel Weisz, Jude Law, Anthony Hopkins, Ben Foster

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Silent House (2011)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Silent House | ShotOnWhat?

Directed by | Chris Kentis, Laura Lau | Cinematography by | Igor Martinovic

Starring | Elizabeth Olsen, Adam Trese, Eric Sheffer Stevens, Julia Chan

Cameras | Canon EOS-5D Mark II Camera

Lenses | Zeiss Compact Prime Lenses

The Departed (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Corpse Bride (2005)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas

Starring | Johnny Depp, Helena Bonham Carter, Emily Watson, Tracey Ullman

Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses | Zeiss Ultra Prime Lenses

Underworld: Awakening (2012)

Motion Picture | 2D, 3D | Color | 88 Minutes

Underworld: Awakening | ShotOnWhat?

Directed by | Måns Mårlind, Björn Stein | Cinematography by | Scott Kevan | Editing by | Jeff McEvoy

Starring | Kate Beckinsale, Michael Ealy, India Eisley, Stephen Rea

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Social Network (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter, Angus Wall

Starring | Jesse Eisenberg, Andrew Garfield, Justin Timberlake, Rooney Mara

Cameras | Red One MX Camera

TRON (2010)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 125 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | James Haygood

Starring | Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner

Cameras | Phantom HD Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Prometheus (2012)

Motion Picture | 3D | Color | 1.66:1, 2.39:1 | 124 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Noomi Rapace, Logan Marshall-Green, Michael Fassbender, Charlize Theron

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

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