Zeiss | 843 Titles
Hellboy II: The Golden Army (2008)
 Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana 
 
  Cameras | ARRIFLEX 235 Camera, Moviecam Compact Camera 
  Lenses | Zeiss Ultra Prime Lenses 
Ninja Assassin (2009)
 Directed by | James McTeigue | Cinematography by | Karl Walter Lindenlaub | Editing by | Giancarlo Ganziano, Joseph Jett Sally  
 
  Lenses | Zeiss Master Prime Lenses 
Crouching Tiger, Hidden Dragon (2000)
 Directed by | Ang Lee | Cinematography by | Peter Pau | Editing by | Tim Squyres 
 
  Cameras | ARRIFLEX 435 ES Camera 
  Lenses | Zeiss Lenses 
The Runaways (2010)
 Directed by | Floria Sigismondi | Cinematography by | Benoît Debie | Editing by | Richard Chew 
 
  Cameras | ARRIFLEX 416 Camera 
  Lenses | Zeiss Master Prime Lenses 
Violent Cop (2000)
 Directed by | Wai-Man Cheng | Cinematography by | Yuen Man Fung | Editing by | Angie Lam 
 
  Cameras | ARRIFLEX 535 B Camera 
  Lenses | Angenieux Lenses, ARRI / Zeiss Lenses 
The Fighter (2010)
The Amazing Spider-Man (2012)
 Directed by | Marc Webb | Cinematography by | John Schwartzman | Editing by | Alan Edward Bell, Michael McCusker, Pietro Scalia 
 
  Cameras | Red Epic Camera 
 The Girl with the Dragon Tattoo (2011)
 Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter, Angus Wall 
 
  Cameras | Red Epic Camera, Red One MX Camera 
  Lenses | Zeiss Master Prime Lenses 
The Shawshank Redemption (1994)
 Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce 
 
  Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera 
  Lenses | ARRI / Zeiss Lenses 
Frida (2002)
 Directed by | Julie Taymor | Cinematography by | Rodrigo Prieto | Editing by | Françoise Bonnot 
 
  Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera 
  Lenses | Zeiss Ultra Prime Lenses 
33 Days (2012)
 Directed by | Jamal Shoorje | Cinematography by | Turaj Mansuri | Editing by | Hassan Ayoubi 
 
  Cameras | ARRIFLEX Camera 
  Lenses | ARRI / Zeiss Lenses 
Dredd (2012)
 Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley  
 
  Lenses | Zeiss Ultra Prime Lenses 
House of Flying Daggers (2004)
 Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Long Cheng 
 
  Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera 
  Lenses | Cooke Lenses, Zeiss Lenses 
City Unplugged (1993)
 Directed by | Ilkka Järvi-Laturi | Cinematography by | Rein Kotov | Editing by | Christopher Tellefsen 
 
  Cameras | ARRIFLEX Camera 
  Lenses | ARRI / Zeiss Lenses 
A Better Life (2011)
 Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert 
 
  Cameras | ARRICAM Lite (LT) Camera 
 2 Days in New York (2012)
 Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck 
 
  Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera 
 Oldeuboi (2003)
 Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Sang-beom Kim 
 
  Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera 
 The Craft (1996)
 Directed by | Andrew Fleming | Cinematography by | Alexander Gruszynski | Editing by | Jeff Freeman 
 
  Cameras | Moviecam Compact Camera 
  Lenses | Zeiss Lenses 
Kundun (1997)
 Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker
 
 Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang
  Cameras | ARRIFLEX 535 B Camera 
  Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses 
 






































































