Paskal Lighting | 15 Titles
True Blood (2008)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
The Veil (2016)
Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
Parental Guidance (2012)
Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda
Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Jamesy Boy (2014)
Directed by | Trevor White | Cinematography by | Robert Lam | Editing by | Josh Noyes
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens
Man & Beast (2012)
Directed by | Dante Ariola | Cinematography by | Jeff Cronenweth | Editing by | Andrea MacArthur
Cameras | Canon EOS-C500 Camera
Lenses | Canon EF Series Lenses
The Walking Dead (2010)
| Cinematography by | Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall | Editing by | Dan Liu, Julius Ramsay, Avi Youabian, Hunter M. Via, Evan Schrodek, Rachel Goodlett Katz, Alan Cody, Nathan Gunn, Kelley Dixon, Tiffany Melvin, Robert Bramwell, Enrique Sanchez, Sidney Wolinsky, Todd Desrosiers, Orlando Machado Jr., Sarah C. Reeves, Jack Colwell, Brian G. Addie
Cameras | ARRIFLEX 416 Camera, Panavision Cameras
RED (2010)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Fargo (1996)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Standard Speed Prime Lenses
The Big Lebowski (1998)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Pearl Harbor (2001)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Catch Me If You Can (2002)
National Treasure (2004)
Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Cold Mountain (2003)
Thirteen (2003)
Directed by | Catherine Hardwicke | Cinematography by | Elliot Davis | Editing by | Nancy Richardson
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses
A Better Life (2011)
Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert
Cameras | ARRICAM Lite (LT) Camera