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Star Wars: Episode II – Attack of the Clones (2002)

Motion Picture | 2D, 3D | HD Project | Color | 1.78:1 (16x9), 2.39:1 | 142 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Christopher Lee

Cameras | Sony HDW-F900 Camera

Lenses | Panavision Primo Anamorphic Lenses

Pickings (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 103 Minutes

Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan

Starring | Elyse Price, Michelle Holland, Lily Brooks O'Briant, Giacomo Rocchini

Cameras | Red Epic Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Cooke Lenses, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Dough (2015)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | John Goldschmidt | Cinematography by | Peter Hannan | Editing by | Michael Ellis

Starring | Jonathan Pryce, Jerome Holder, Phil Davis, Ian Hart

Cameras | ARRI ALEXA Camera

Viy (2014)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 127 Minutes

Directed by | Oleg Stepchenko | Cinematography by | Yaroslav Pilunskiy, Vladimír Smutný | Editing by | Petr Zelenov

Starring | Jason Flemyng, Andrey Smolyakov, Aleksey Chadov, Agniya Ditkovskite

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Red One Camera

Paterson (2016)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Affonso Gonçalves

Starring | Adam Driver, Golshifteh Farahani, Nellie, Rizwan Manji

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera

Dirty Pretty Things (2002)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Stephen Frears | Cinematography by | Chris Menges | Editing by | Mick Audsley

Starring | Chiwetel Ejiofor, Audrey Tautou, Sophie Okonedo, Sergi López

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Chocolat (2000)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Lasse Hallström | Cinematography by | Roger Pratt | Editing by | Andrew Mondshein

Starring | Juliette Binoche, Judi Dench, Alfred Molina, Carrie-Anne Moss

The Drop (2014)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Christopher Tellefsen

Starring | Tom Hardy, Noomi Rapace, James Gandolfini, Matthias Schoenaerts

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Leitz Summilux-C Series Lenses

This Is Where I Leave You (2014)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Shawn Levy | Cinematography by | Terry Stacey | Editing by | Dean Zimmerman

Starring | Jason Bateman, Tina Fey, Jane Fonda, Adam Driver

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

St. Vincent (2014)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Theodore Melfi | Cinematography by | John Lindley | Editing by | Sarah Flack, Peter Teschner

Starring | Bill Murray, Melissa McCarthy, Naomi Watts, Jaeden Martell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Two Faces of January (2014)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Hossein Amini | Cinematography by | Marcel Zyskind | Editing by | Nicolas Chaudeurge, Jon Harris

Starring | Viggo Mortensen, Kirsten Dunst, Oscar Isaac, Daisy Bevan

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Hawk C-Series Lenses

Faust (2011)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 140 Minutes

Directed by | Aleksandr Sokurov | Cinematography by | Bruno Delbonnel | Editing by | Jörg Hauschild

Starring | Johannes Zeiler, Anton Adasinsky, Isolda Dychauk, Georg Friedrich

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Upstairs Downstairs (2010)

Television Series | 2D | Color | 1.78:1 (16x9) |

| Cinematography by | Adam Suschitzky, John Conroy, Peter Greenhalgh, Ian Moss | Editing by | Úna Ní Dhonghaíle, Paul Brown, Crispin Green, Isobel Stephenson, Caroline Limmer

Starring | Keeley Hawes, Ed Stoppard, Adrian Scarborough, Neil Jackson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses

The Monuments Men (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione

Starring | George Clooney, Matt Damon, Bill Murray, Cate Blanchett

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Winter’s Tale (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Akiva Goldsman | Cinematography by | Caleb Deschanel | Editing by | Tim Squyres, Wayne Wahrman

Starring | Colin Farrell, Jessica Brown Findlay, Russell Crowe, Jennifer Connelly

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Ashes to Ashes (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Simon Archer, Tim Palmer, Adam Suschitzky, Julian Court, Nic Lawson, Fabian Wagner, Balazs Bolygo | Editing by | Jonathan Amos, Jamie Pearson, Ben Drury, Barney Pilling, Paul Endacott, Elen Pierce Lewis, Sam Williams, Jamie Trevill, Guy Bensley

Starring | Philip Glenister, Keeley Hawes, Dean Andrews, Marshall Lancaster

Cameras | ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Inside Llewyn Davis (2013)

Motion Picture | 2D | Color | 104 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen

Starring | Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Noah (2014)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Russell Crowe, Jennifer Connelly, Anthony Hopkins, Emma Watson

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

After Earth (2013)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Peter Suschitzky | Editing by | Steven Rosenblum

Starring | Jaden Smith, David Denman, Will Smith, Sophie Okonedo

Cameras | Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

In America (2002)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Jim Sheridan | Cinematography by | Declan Quinn | Editing by | Naomi Geraghty

Starring | Paddy Considine, Samantha Morton, Djimon Hounsou, Sarah Bolger

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

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