Photochemical Color Timing Process | 58 Titles
Body Melt (1993)
Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy
Cameras | ARRIFLEX 16SR2 Camera
Platoon (1986)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Claire Simpson
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | JDC (Joe Dunton Camera) Lenses
Manila in the Claws of Light (1975)
Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego
Cameras | ARRIFLEX 35 IIB Camera
Escape: World Safari III (1988)
Razorback (1984)
Directed by | Russell Mulcahy | Cinematography by | Dean Semler | Editing by | William M. Anderson
Cameras | Panavision Panaflex Gold Camera
An American Family (1973)
| Editing by | Pat Cook, Eleanor Hamerow, David Hanser, Ken Werner
Cameras | Éclair NPR Camera
Lenses | Angenieux Lenses
Back to the Future Part III (1990)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
Batman (1989)
Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy
Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera
Lenses | Panavision SL35-M 35 mm T1.9 Lens
Rosewood (1997)
Directed by | John Singleton | Cinematography by | Johnny E. Jensen | Editing by | Bruce Cannon
Cameras | Panavision Panaflex Camera
Born on the Fourth of July (1989)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing
Cameras | Panavision Cameras, Panavision Panaflex Camera
Lenses | Panavision Lenses
King Kong (1933)
Directed by | Merian C. Cooper, Ernest B. Schoedsack | Cinematography by | Edward Linden, J.O. Taylor, Vernon L. Walker, Kenneth Peach | Editing by | Ted Cheesman
Cameras | Mitchell Standard Camera
The Patriot (2000)
Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe
Cameras | Panavision Cameras
Lenses | Panavision Lenses
A Time to Kill (1996)
Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp
Cameras | Panavision Panaflex Platinum Camera
Schindler’s List (1993)
Friday the 13th Part VIII: Jason Takes Manhattan (1989)
Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor
Cameras | Panavision Panaflex Camera
The Godfather (1972)
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner
Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Magnum Force (1973)
Directed by | Ted Post | Cinematography by | Frank Stanley | Editing by | Ferris Webster
Cameras | Panavision Panaflex Camera
Natural Born Killers (1994)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Nixon (1995)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin
JFK (1991)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia
Lenses | Panavision E35 35 mm T2.0 Lens