Photochemical Color Timing Process | 58 Titles
Body Melt (1993)
 Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy 
 
  Cameras | ARRIFLEX 16SR2 Camera 
  Platoon   (1986)  
 
    Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Claire Simpson 
 
  Cameras | ARRIFLEX 35 BL3 Camera 
  Lenses | JDC (Joe Dunton Camera) Lenses 
Manila in the Claws of Light (1975)
 Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego 
 
  Cameras | ARRIFLEX 35 IIB Camera 
 Escape: World Safari III (1988)
Razorback (1984)
 Directed by | Russell Mulcahy | Cinematography by | Dean Semler | Editing by | William M. Anderson 
 
  Cameras | Panavision Panaflex Gold Camera 
An American Family (1973)
  | Editing by | Pat Cook, Eleanor Hamerow, David Hanser, Ken Werner 
 
  Cameras | Éclair NPR Camera 
  Lenses | Angenieux Lenses 
Back to the Future Part III (1990)
 Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt 
 
  Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras 
 Batman (1989)
 Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy 
 
  Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera 
  Lenses | Panavision SL35-M 35 mm T1.9 Lens 
Rosewood (1997)
 Directed by | John Singleton | Cinematography by | Johnny E. Jensen | Editing by | Bruce Cannon 
 
  Cameras | Panavision Panaflex Camera 
 Born on the Fourth of July (1989)
 Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing 
 
  Cameras | Panavision Cameras, Panavision Panaflex Camera 
  Lenses | Panavision Lenses 
King Kong (1933)
 Directed by | Merian C. Cooper, Ernest B. Schoedsack | Cinematography by | Edward Linden, J.O. Taylor, Vernon L. Walker, Kenneth Peach | Editing by | Ted Cheesman 
 
  Cameras | Mitchell Standard Camera 
The Patriot (2000)
 Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe 
 
  Cameras | Panavision Cameras 
  Lenses | Panavision Lenses 
A Time to Kill (1996)
 Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp 
 
  Cameras | Panavision Panaflex Platinum Camera 
   Schindler’s List   (1993)  
 
   Friday the 13th Part VIII: Jason Takes Manhattan (1989)
 Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor 
 
  Cameras | Panavision Panaflex Camera 
   The Godfather   (1972)  
 
   Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner 
 
  Cameras | Mitchell BNCR Camera 
  Lenses | Bausch & Lomb Super Baltar Lenses 
Magnum Force (1973)
 Directed by | Ted Post | Cinematography by | Frank Stanley | Editing by | Ferris Webster 
 
  Cameras | Panavision Panaflex Camera 
 Natural Born Killers (1994)
 Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin 
 
  Cameras | Panavision Cameras 
  Lenses | Panavision Lenses 
Nixon (1995)
 Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin  
 
 JFK (1991)
 Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia  
 
  Lenses | Panavision E35 35 mm T2.0 Lens 
 
  
 








































































