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Photochemical Color Timing Process | 49 Titles

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The Patriot (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 165 Minutes

Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe

Starring | Mel Gibson, Heath Ledger, Joely Richardson, Jason Isaacs

Cameras | Panavision Cameras

Lenses | Panavision Lenses

A Time to Kill (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 149 Minutes

Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp

Starring | Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, Kevin Spacey

Cameras | Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Schindler’s List (1993)

Motion Picture | 2D | Film Project | Black & White, Color | 1.85:1 | 195 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Liam Neeson, Ralph Fiennes, Ben Kingsley, Caroline Goodall

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Friday the 13th Part VIII: Jason Takes Manhattan (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 100 Minutes

Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor

Starring | Jensen Daggett, Kane Hodder, Todd Caldecott, Tiffany Paulsen

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Classic Spherical Lenses

The Godfather (1972)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 175 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner

Starring | Marlon Brando, Al Pacino, James Caan, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses

Magnum Force (1973)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 124 Minutes

Directed by | Ted Post | Cinematography by | Frank Stanley | Editing by | Ferris Webster

Starring | Clint Eastwood, Hal Holbrook, Mitchell Ryan, David Soul

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

Jaws (1975)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 124 Minutes

Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields

Starring | Roy Scheider, Robert Shaw, Richard Dreyfuss, Lorraine Gary

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

Natural Born Killers (1994)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 118 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin

Starring | Woody Harrelson, Juliette Lewis, Tom Sizemore, Rodney Dangerfield

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Nixon (1995)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 192 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin

Starring | Anthony Hopkins, Joan Allen, Powers Boothe, Ed Harris

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

JFK (1991)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 189 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia

Starring | Kevin Costner, Gary Oldman, Jack Lemmon, Walter Matthau

Cameras | ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses | Panavision E35 35 mm T2.0 Lens

Superman (1978)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 143 Minutes

Directed by | Richard Donner | Cinematography by | Geoffrey Unsworth | Editing by | Stuart Baird, Michael Ellis

Starring | Christopher Reeve, Margot Kidder, Gene Hackman, Marlon Brando

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision C Series Anamorphic Lenses

Bambi (1942)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 70 Minutes

Directed by | James Algar, Samuel Armstrong, David Hand, Graham Heid, Bill Roberts, Paul Satterfield, Norman Wright, Arthur Davis, Clyde Geronimi | Editing by | Thomas Scott

Starring | Hardie Albright, Stan Alexander, Bobette Audrey, Peter Behn

Cameras | Bell & Howell 2709 Camera

Pinocchio (1940)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 88 Minutes

Directed by | Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Hamilton Luske, Bill Roberts, Ben Sharpsteen

Starring | Dickie Jones, Christian Rub, Jack Bailey, Mel Blanc

Cameras | Bell & Howell 2709 Camera

Clerks (1994)

Motion Picture | 2D | Film Project | Black & White | 1.85:1 | 92 Minutes

Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith

Starring | Brian O'Halloran, Jeff Anderson, Marilyn Ghigliotti, Lisa Spoonauer

Cameras | ARRIFLEX 16SR Camera

Fantasia (1940)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 125 Minutes

Directed by | James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, David Hand, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen | Cinematography by | James Wong Howe

Starring | Leopold Stokowski, Deems Taylor, Corey Burton, Walt Disney

Cameras | Bell & Howell 2709 Camera

The Window (2008)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Carlos Sorin | Cinematography by | Julián Apezteguia | Editing by | Mohamed Rajid

Starring | Antonio Larreta, María del Carmen Jiménez, Emilse Roldán, Roberto Rovira

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Standard Speed Prime Lenses

Chronicle of an Escape (2006)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce

Starring | Rodrigo De la Serna, Pablo Echarri, Nazareno Casero, Lautaro Delgado

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Ultra Prime Lenses

Bolivia (1999)

Motion Picture | 2D | Black & White | 1.66:1 | 75 Minutes

Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Santiago Ricci, Lucas Scavino

Starring | Freddy Flores, Rosa Sánchez, Oscar Bertea, Enrique Liporace

Cameras | Éclair ACL II Camera

Lenses | Optar Illumina S16 Lenses

End of Days (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 122 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper

Starring | Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Elf (2003)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Jon Favreau | Cinematography by | Greg Gardiner | Editing by | Dan Lebental

Starring | Will Ferrell, James Caan, Bob Newhart, Zooey Deschanel

Cameras | Panavision Cameras

Lenses | Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

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