Vertical Film Print Orientation | 1284 Titles
The Purge (2013)
Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Peter Gvozdas
Cameras | ARRI ALEXA Plus Camera
We’re the Millers (2013)
Directed by | Rawson Marshall Thurber | Cinematography by | Barry Peterson | Editing by | Michael L. Sale
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Way Way Back (2013)
Directed by | Nat Faxon, Jim Rash | Cinematography by | John Bailey | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA Camera
The Heat (2013)
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Jay Deuby, Brent White
The Colony (2013)
Directed by | Jeff Renfroe | Cinematography by | Pierre Gill | Editing by | Aaron Marshall
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Only God Forgives (2013)
Directed by | Nicolas Winding Refn | Cinematography by | Larry Smith | Editing by | Matthew Newman
Cameras | ARRI ALEXA Camera, Red Epic Camera
Oldboy (2013)
Directed by | Spike Lee | Cinematography by | Sean Bobbitt | Editing by | Barry Alexander Brown
Lenses | ARRI / Fujinon Lenses, Cooke 5/i Lenses
Defiance (2008)
Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Ángela (2005)
Les deux mondes (2007)
Directed by | Daniel Cohen | Cinematography by | Laurent Dailland | Editing by | Catherine Kelber
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Chrysalis (2007)
Directed by | Julien Leclercq | Cinematography by | Thomas Hardmeier | Editing by | Thierry Hoss
Lenses | Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Soshite chichi ni naru (2013)
Directed by | Hirokazu Koreeda | Cinematography by | Mikiya Takimoto | Editing by | Hirokazu Koreeda
Cameras | ARRIFLEX 535 B Camera
Tian zhu ding (2013)
Directed by | Zhangke Jia | Cinematography by | Nelson Lik-wai Yu | Editing by | Matthieu Laclau, Xudong Lin
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera
Les chevaliers du ciel (2005)
Directed by | Gérard Pirès | Cinematography by | Pascal Lebègue | Editing by | Véronique Lange
Lenses | Angenieux Optimo Zoom Lenses
12 Years a Slave (2013) 
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Boy (2010)
Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Chris Plummer
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera
The Secret Life of Walter Mitty (2013)
Directed by | Ben Stiller | Cinematography by | Stuart Dryburgh | Editing by | Greg Hayden
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Rush (2013)
Directed by | Ron Howard | Cinematography by | Anthony Dod Mantle | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses
The Wolf of Wall Street (2013)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Jack Ryan: Shadow Recruit (2014)
