Vertical Film Print Orientation | 1284 Titles
Seventh Son (2014)
Directed by | Sergei Bodrov | Cinematography by | Newton Thomas Sigel | Editing by | Michael Kahn, Jim Page, Paul Rubell
Cameras | ARRI ALEXA Camera
The Counselor (2013)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Cameras | Red Epic Camera
X-Men: Days of Future Past (2014)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Escape Plan (2013)
Directed by | Mikael Håfström | Cinematography by | Brendan Galvin | Editing by | Elliot Greenberg
Cameras | ARRI ALEXA Camera
I, Frankenstein (2014)
Directed by | Stuart Beattie | Cinematography by | Ross Emery | Editing by | Marcus D'Arcy
Cameras | Red Epic Camera
Edge of Tomorrow (2014)
Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Guilt Trip (2012)
Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Paranoia (2013)
Directed by | Cameron Alford | Cinematography by | Cameron Alford | Editing by | Cameron Alford
Cameras | ARRI ALEXA Studio Camera
The Company You Keep (2012)
Directed by | Robert Redford | Cinematography by | Adriano Goldman | Editing by | Mark Day
Cameras | ARRICAM Lite (LT) Camera
The World’s End (2013)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Paul Machliss
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
Sin City: A Dame to Kill For (2014)
Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRI ALEXA M Camera
Lenses | Fujinon Premier Lenses
42 (2013)
Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt
Cameras | Red Epic Camera
Desperate Measures (1998)
Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy
Cameras | Panavision Panaflex Platinum Camera
Noah (2014)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
The Butler (2013)
Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
The Hangover Part III (2013)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher
2012 (2009)
Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot
Cameras | Panavision Cameras, Panavision Genesis Camera
The Amazing Spider-Man 2 (2014)
Directed by | Marc Webb | Cinematography by | Dan Mindel | Editing by | Pietro Scalia
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Incredible Burt Wonderstone (2013)
Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses