Vertical Film Print Orientation | 1284 Titles
The Loft (2014)
Directed by | Erik Van Looy | Cinematography by | Nicolas Karakatsanis | Editing by | Eddie Hamilton
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Master Prime Lenses
Phantom (2013)
Directed by | Todd Robinson | Cinematography by | Byron Werner | Editing by | Terel Gibson
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
Side Effects (2013)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Camera
Upside Down (2012)
Directed by | Juan Solanas | Cinematography by | Pierre Gill | Editing by | Paul Jutras
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Jack the Giant Slayer (2013)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Bob Ducsay, John Ottman
For Your Consideration (2006)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton
Cameras | Aaton XTR Prod Camera, Ultracam 35 Camera
The Paperboy (2012)
Directed by | Lee Daniels | Cinematography by | Roberto Schaefer | Editing by | Joe Klotz
Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Stay (2005)
Directed by | David Brind | Cinematography by | Kenneth Wilson II
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses
Stoker (2013)
Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Nicolas De Toth
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera
The Last Exorcism Part II (2013)
Directed by | Ed Gass-Donnelly | Cinematography by | Brendan Steacy | Editing by | Ed Gass-Donnelly
Cameras | ARRI ALEXA Camera
Dark Skies (2013)
Directed by | Scott Stewart | Cinematography by | David Boyd | Editing by | Peter Gvozdas
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Into the Storm (2014)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Identity Thief (2013)
Directed by | Seth Gordon | Cinematography by | Javier Aguirresarobe | Editing by | Peter Teschner
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Warm Bodies (2013)
Directed by | Jonathan Levine | Cinematography by | Javier Aguirresarobe | Editing by | Nancy Richardson
Stand Up Guys (2012)
Directed by | Fisher Stevens | Cinematography by | Michael Grady | Editing by | Mark Livolsi
Cameras | Red Epic Camera
Snitch (2013)
Directed by | Ric Roman Waugh | Cinematography by | Dana Gonzales | Editing by | Jonathan Chibnall
Cameras | Red Epic Camera
Blades of Glory (2007)
Directed by | Josh Gordon, Will Speck | Cinematography by | Stefan Czapsky | Editing by | Richard Pearson
Rise of the Guardians (2012)
Yi jiu si er (2012)
Sivaji (2007)
Directed by | S. Shankar | Cinematography by | K.V. Anand | Editing by | Anthony
Cameras | ARRIFLEX 435 Camera
