Vertical Film Print Orientation | 1284 Titles
Xue di zi (2012)
Directed by | Andrew Lau Wai-Keung | Cinematography by | Yuen Man Fung | Editing by | Wai Chiu Chung
Da Shang Hai (2012)
Directed by | Jing Wong | Cinematography by | Jason Kwan, Andrew Lau Wai-Keung, Yong Yang, Zhen Yang | Editing by | Wai Chiu Chung
Cameras | ARRI ALEXA Camera, Red Epic Camera
Journey to the West (2013)
Directed by | Stephen Chow, Chi-kin Kwok | Cinematography by | Sung Fai Choi | Editing by | Chi Wai Chan
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Oz the Great and Powerful (2013)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Cameras | Red Epic Camera
Monsters University (2013)
No (2012)
Directed by | Pablo Larraín | Cinematography by | Sergio Armstrong | Editing by | Andrea Chignoli
Cameras | Ikegami HL-79EAL Camera
Safe Haven (2013)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Andrew Mondshein
Cameras | ARRI ALEXA Studio Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
A Good Day to Die Hard (2013)
Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
G.I. Joe: Retaliation (2013)
Directed by | Jon M. Chu | Cinematography by | Stephen F. Windon | Editing by | Roger Barton, Jim May
The Lone Ranger (2013)
Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | James Haygood, Craig Wood
Cameras | ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens
Furious 6 (2013)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera
Thor: The Dark World (2013)
Directed by | Alan Taylor | Cinematography by | Kramer Morgenthau | Editing by | Dan Lebental, Wyatt Smith
The Hunger Games: Catching Fire (2013)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Paperman (2012)
A Royal Affair (2012)
Directed by | Nikolaj Arcel | Cinematography by | Rasmus Videbæk | Editing by | Kasper Leick, Mikkel E.G. Nielsen
Cameras | ARRICAM Studio (ST) Camera
Lenses | Zeiss Master Prime Lenses
Iron Man Three (2013)
Directed by | Shane Black | Cinematography by | John Toll | Editing by | Peter S. Elliot, Jeffrey Ford
Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Mirror Mirror (2012)
Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Robert Duffy, Nick Moore
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Primo Anamorphic Lenses
Fruitvale Station (2013)
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
The Impossible (2012)
Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Elena Ruiz, Bernat Vilaplana
Lenses | Zeiss Master Prime Lenses
RoboCop (1987)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
