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65mm Film Negative Width | 85 Titles

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Transformers: Revenge of the Fallen (2009)

Motion Picture | 2D | 2K Project | Color | 1.44:1, 2.39:1 | 150 Minutes

Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Starring | Shia LaBeouf, Megan Fox, Josh Duhamel, Tyrese Gibson

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The New World (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Starring | Colin Farrell, Q'orianka Kilcher, Christopher Plummer, Christian Bale

Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Brainstorm (1983)

Motion Picture | 2D | Film Project | Color | 1.66:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Douglas Trumbull | Cinematography by | Richard Yuricich | Editing by | Freeman A. Davies, Edward Warschilka

Starring | Christopher Walken, Natalie Wood, Louise Fletcher, Cliff Robertson

Cameras | Panavision Panaflex Camera, Super Panavision-70 Camera

Casper (1995)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Casper | ShotOnWhat?

Directed by | Brad Silberling | Cinematography by | Dean Cundey | Editing by | Michael Kahn

Starring | Bill Pullman, Christina Ricci, Cathy Moriarty, Eric Idle

Cameras | Panavision Cameras

South Pacific (1958)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 157 Minutes

Directed by | Joshua Logan | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson

Starring | Rossano Brazzi, Mitzi Gaynor, John Kerr, Ray Walston

Cameras | Todd-AO 65mm Camera

Playtime (1967)

Motion Picture | 2D | Color | 115 Minutes

Playtime | ShotOnWhat?

Directed by | Jacques Tati | Cinematography by | Jean Badal, Andréas Winding | Editing by | Gérard Pollicand

Starring | Jacques Tati, Barbara Dennek, Rita Maiden, France Rumilly

Cameras | Mitchell Cameras

Baraka (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 96 Minutes

Directed by | Ron Fricke | Cinematography by | Ron Fricke | Editing by | David Aubrey, Ron Fricke, Mark Magidson

Cameras | Todd-AO 65mm Camera

Lenses | Schneider Lenses

Ben-Hur (1959)

Motion Picture | 2D | Film Project | Color | 2.55:1, 2.76:1 | 212 Minutes

Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth

Starring | Charlton Heston, Jack Hawkins, Stephen Boyd, Haya Harareet

Cameras | MGM Camera 65 Camera

Lenses | Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Lenses, Panavision Lenses

How the West Was Won (1962)

Motion Picture | 2D | Color | 2.35:1, 2.59:1 | 164 Minutes

Directed by | John Ford, Henry Hathaway, George Marshall, Richard Thorpe | Cinematography by | William H. Daniels, Milton R. Krasner, Charles Lang, Joseph LaShelle | Editing by | Harold F. Kress

Starring | James Stewart, John Wayne, Gregory Peck, Henry Fonda

Cameras | Cinerama Camera, Ultra Panavision 70 Camera

Lenses | Kodak Ektar 27 mm Lens, Panavision Lenses

TRON (1982)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 96 Minutes

Directed by | Steven Lisberger | Cinematography by | Bruce Logan | Editing by | Jeff Gourson

Starring | Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan

Cameras | Panavision Cameras, Panavision System 65 Camera, Super Panavision-70 Camera

Lenses | Panavision Lenses

The Tree of Life (2011)

Motion Picture | Color | 1.85:1 | 139 Minutes

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Starring | Brad Pitt, Sean Penn, Jessica Chastain, Hunter McCracken

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Last Reef 3D (2012)

Motion Picture | 3D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 40 Minutes

The Last Reef 3D | ShotOnWhat?

Directed by | Luke Cresswell, Steve McNicholas | Cinematography by | D.J. Roller | Editing by | Luke Cresswell, Steve McNicholas

Cameras | IMAX Cameras, Red Digital Cinema Cameras, Spacecam Aerial Cameras

2010 (1984)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 116 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Mia Goldman, James Mitchell

Starring | Roy Scheider, John Lithgow, Helen Mirren, Bob Balaban

Cameras | Panavision Cameras

Lenses | Panavision Lenses

2001: A Space Odyssey (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 149 Minutes

Directed by | Stanley Kubrick | Cinematography by | Geoffrey Unsworth | Editing by | Ray Lovejoy

Starring | Keir Dullea, Gary Lockwood, William Sylvester, Daniel Richter

Cameras | Super Panavision-70 Camera

Samsara (2001)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Pan Nalin | Cinematography by | Rali Raltschev | Editing by | Isabel Meier

Starring | Shawn Ku, Christy Chung, Neelesha Barthel, Lhakpa Tsering

Cameras | Fricke 65mm Time-Lapse Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera

Lenses | Schneider Variogon Lenses

The Master (2012)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Mihai Malaimare Jr. | Editing by | Leslie Jones, Peter McNulty

Starring | Philip Seymour Hoffman, Joaquin Phoenix, Amy Adams, Jesse Plemons

Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision 65mm Prime Lenses

Solar Crisis (1990)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Richard C. Sarafian, Alan Smithee | Cinematography by | Russell Carpenter | Editing by | Richard Trevor

Starring | Tim Matheson, Charlton Heston, Peter Boyle, Annabel Schofield

Cameras | Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses

Far and Away (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Mikael Salomon | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Cruise, Nicole Kidman, Thomas Gibson, Robert Prosky

Cameras | ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision 65mm Prime Lenses, Zeiss Lenses

Snow White and the Huntsman (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 127 Minutes

Directed by | Rupert Sanders | Cinematography by | Greig Fraser | Editing by | Conrad Buff IV, Neil Smith

Starring | Kristen Stewart, Chris Hemsworth, Charlize Theron, Sam Claflin

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Sound of Music (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 172 Minutes

Directed by | Robert Wise | Cinematography by | Ted D. McCord | Editing by | William Reynolds

Starring | Julie Andrews, Christopher Plummer, Eleanor Parker, Richard Haydn

Cameras | Mitchell BNC Camera, Modern Cinema Systems MCS-70

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