Film Manufacturer » Eastman Kodak Film Mfg

Eastman Kodak Film Mfg | 1463 Titles

Rate It

« Previous 1 … 7 8 9 10 11 … 74 Next »

LessUpdatedTitleYear

Apollo 13 (1995)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.78:1 (16x9), 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Hanks, Bill Paxton, Kevin Bacon

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Spider-Man 2 (2004)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 127 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Alfred Molina, James Franco

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Euphoria (2019)

Television Series | 2D | 4K Project | Color | 55 Minutes

| Cinematography by | Marcell Rév, Drew Daniels, Adam Newport-Berra, André Chemetoff, Rina Yang | Editing by | Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro

Starring | Zendaya, Hunter Schafer, Jacob Elordi

Cameras | ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera

Manila in the Claws of Light (1975)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego

Starring | Hilda Koronel, Bembol Roco, Lou Salvador Jr.

Cameras | ARRIFLEX 35 IIB Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, ARRI Lenses

Mission: Impossible – Ghost Protocol (2011)

Motion Picture | 2D | Color | 1.44:1, 2.35:1 | 132 Minutes

Mission: Impossible – Ghost Protocol | ShotOnWhat?

Directed by | Brad Bird | Cinematography by | Robert Elswit | Editing by | Paul Hirsch

Starring | Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton

Cameras | ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Escape: World Safari III (1988)

Documentary | 2D | Film Project | Color | 1.33:1 (4x3) | 109 Minutes

Directed by | Alby Mangels | Editing by | Rod Hay, Tim Jordan

Starring | Alby Mangels, Michelle Els, Lucinda Dunn

Cameras | ARRIFLEX 16SR2 Camera

Razorback (1984)

Motion Picture | 2D | Film Project | Color | 95 Minutes

Directed by | Russell Mulcahy | Cinematography by | Dean Semler | Editing by | William M. Anderson

Starring | Gregory Harrison, Arkie Whiteley, Bill Kerr, Chris Haywood

Cameras | Panavision Panaflex Gold Camera

Mission: Impossible III (2006)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey

Starring | Tom Cruise, Michelle Monaghan, Ving Rhames, Philip Seymour Hoffman

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Mission: Impossible II (2000)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Mission: Impossible II | ShotOnWhat?

Directed by | John Woo | Cinematography by | Jeffrey L. Kimball | Editing by | Steven Kemper, Christian Wagner

Starring | Tom Cruise, Dougray Scott, Thandiwe Newton

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Mission: Impossible – Rogue Nation (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton

Starring | Tom Cruise, Rebecca Ferguson, Jeremy Renner

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Sick of Myself (2022)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Kristoffer Borgli | Cinematography by | Benjamin Loeb | Editing by | Kristoffer Borgli

Starring | Kristine Kujath Thorp, Eirik Sæther, Fanny Vaager

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Lenses, Angenieux Optimo Zoom Lenses, Cooke Lenses

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Beginning (2020)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Dea Kulumbegashvili | Cinematography by | Arseni Khachaturan | Editing by | Matthieu Taponier

Starring | Ia Sukhitashvili, Rati Oneli, Kakha Kintsurashvili

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Cooke 5/i Prime 25mm T1.4 Lens

Phantom Thread (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Paul Thomas Anderson | Editing by | Dylan Tichenor

Starring | Vicky Krieps, Daniel Day-Lewis, Lesley Manville

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Breaking Bad (2008)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 49 Minutes

| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo

Starring | Bryan Cranston, Aaron Paul, Anna Gunn, Betsy Brandt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses

Ready Player One (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe

Cameras | ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

500 Days of Summer (2009)

Motion Picture | 2D | 2K Project | Color | 95 Minutes

Directed by | Marc Webb | Cinematography by | Eric Steelberg | Editing by | Alan Edward Bell

Starring | Zooey Deschanel, Joseph Gordon-Levitt, Geoffrey Arend, Chloë Grace Moretz

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Lenses

The Texas Chainsaw Massacre (2003)

Motion Picture | 2D | Film Project | Black & White, Color | 1.85:1 | 98 Minutes

Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Glen Scantlebury

Starring | Jessica Biel, Jonathan Tucker, Andrew Bryniarski, Erica Leerhsen

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Transsiberian (2008)

Motion Picture | Color | 2.39:1 | 111 Minutes

Directed by | Brad Anderson | Cinematography by | Xavi Giménez | Editing by | Jaume Martí

Starring | Woody Harrelson, Emily Mortimer, Ben Kingsley, Kate Mara

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Lenses

Mother! (2017)

Motion Picture | 2D | 2K Project | Color | 121 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera

« Previous 1 … 7 8 9 10 11 … 74 Next »

©2012 - 2025 ShotOnWhat?

20254.20