Deluxe | 792 Titles
Identity (2003)
Vicky Cristina Barcelona (2008)
Directed by | Woody Allen | Cinematography by | Javier Aguirresarobe | Editing by | Alisa Lepselter
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Lenses
8 Mile (2002)
Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz
Lenses | Zeiss Ultra Prime Lenses
Boys Don’t Cry (1999)
Directed by | Kimberly Peirce | Cinematography by | Jim Denault | Editing by | Tracy Granger, Lee Percy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Lincoln Lawyer (2011)
Directed by | Brad Furman | Cinematography by | Lukas Ettlin | Editing by | Jeff McEvoy
Cameras | Red One MX Camera
Gone Baby Gone (2007)
Cold Mountain (2003)
Scott Pilgrim vs. the World (2010)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss
Cameras | ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Hours (2002)
Directed by | Stephen Daldry | Cinematography by | Seamus McGarvey | Editing by | Peter Boyle
Cameras | Panavision Panaflex Millennium Camera
The Addams Family (1991)
Directed by | Barry Sonnenfeld | Cinematography by | Owen Roizman | Editing by | Dede Allen, Jim Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Darkest Hour (2011)
Directed by | Chris Gorak | Cinematography by | Scott Kevan | Editing by | Priscilla Nedd-Friendly, Fernando Villena, Doobie White
Cameras | Sony CineAlta F35 Camera, Sony HDC-P1 Camera
Great Expectations (1998)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Steven Weisberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Ghost and the Darkness (1996)
Directed by | Stephen Hopkins | Cinematography by | Vilmos Zsigmond | Editing by | Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
A Night at the Roxbury (1998)
Directed by | John Fortenberry | Cinematography by | Francis Kenny | Editing by | Jay Kamen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Lovely Bones (2009)
The Special Relationship (2010)
Directed by | Richard Loncraine | Cinematography by | Barry Ackroyd | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Hit and Run (2012)
Directed by | David Palmer, Dax Shepard | Cinematography by | Bradley Stonesifer | Editing by | Keith Croket, Dax Shepard
Cameras | ARRI Cameras
A Guide to Recognizing Your Saints (2006)
Directed by | Dito Montiel | Cinematography by | Eric Gautier | Editing by | Jake Pushinsky, Christopher Tellefsen
Patch Adams (1998)
Directed by | Tom Shadyac | Cinematography by | Phedon Papamichael | Editing by | Don Zimmerman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Ted (2012)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Panavision Genesis Camera, Sony PMW-EX3 Camera
