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Avid Editing System | 388 Titles

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To Here Knows When (2013)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 85 Minutes

Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie

Starring | Kitty Colquhoun, Patrick O'Brien, Hanna Stanbridge

Cameras | Éclair NPR Camera, Red One MX Camera

Lenses | Nikon - Nikkor Lenses

Where Do We Go From Here? (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 82 Minutes

Directed by | John McPhail | Cinematography by | Grant McPhee | Editing by | John McPhail

Starring | Tyler Collins, Lucy-Jane Quinlan, Alison Peebles, Richard Addison

Cameras | Red Epic Camera

Lenses | Red Pro Prime 100 mm T1.8 Lens, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens

Sette opere di misericordia (2011)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 100 Minutes

Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero

Starring | Roberto Herlitzka, Ignazio Oliva, Olimpia Melinte, Stefano Cassetti

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Cinderella (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 105 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh

Starring | Lily James, Cate Blanchett, Richard Madden, Helena Bonham Carter

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Creed (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver

Starring | Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

45 Years (2015)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Andrew Haigh | Cinematography by | Lol Crawley | Editing by | Jonathan Alberts

Starring | Charlotte Rampling, Tom Courtenay, Geraldine James, Dolly Wells

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Brooklyn (2015)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | John Crowley | Cinematography by | Yves Bélanger | Editing by | Jake Roberts

Starring | Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Jim Broadbent

Cameras | ARRI ALEXA XT Camera

Lenses | Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Steve Jobs (2015)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham

Starring | Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels

Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Bridge of Spies (2015)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Mark Rylance, Alan Alda, Amy Ryan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Human (2015)

Documentary | 2D | HD Project | Color | 1.85:1 | 190 Minutes

Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla

Starring | Luis Cancu, Atman, Berthony, Bruno

Cameras | ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Annabelle Hooper and the Ghosts of Nantucket (2016)

Motion Picture, Television Movie | 4K Project, UHD Project | Color | 92 Minutes

Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean

Starring | Bailee Madison, Robert Capron, Rachel Resheff, Mavrick Moreno

Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera

Lenses | Zeiss Compact Prime Lenses

Capturing the Friedmans (2003)

Documentary | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Andrew Jarecki | Cinematography by | Adolfo Doring | Editing by | Richard Hankin

Starring | Arnold Friedman, Jesse Friedman, David Friedman, Elaine Friedman

Call Me King (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | R.L. Scott | Cinematography by | R.L. Scott

Starring | Amin Joseph, Bai Ling, Chris Mulkey, Bill Cobbs

Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera

Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Kickstart Theft (2012)

Short Film | 2D | 4K Project | Color | 2.39:1 | 7 Minutes

Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe

Starring | Kimani Shillingford, Samuel Caruana, Mickaëlle X. Bizet, Frankie Ray

Cameras | Sony CineAlta F65 Camera

Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens

Oranges and Sunshine (2010)

Motion Picture | 2D | 2K Project | Color | 2.40:1 | 105 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Emily Watson, Aisling Loftus, Stuart Wolfenden, Lorraine Ashbourne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Kate & Leopold (2001)

Motion Picture | 2D | Color | 1.85:1 | 118 Minutes

Directed by | James Mangold | Cinematography by | Stuart Dryburgh | Editing by | David Brenner

Starring | Meg Ryan, Hugh Jackman, Liev Schreiber, Breckin Meyer

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Hateful Eight (2015)

Motion Picture | 2D | Color | 2.76:1 | 168 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins

Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Ex Machina (2014)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 108 Minutes

Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day

Starring | Alicia Vikander, Domhnall Gleeson, Oscar Isaac, Sonoya Mizuno

Cameras | GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Ben-Hur (2016)

Motion Picture | 3D | Color | 2.39:1 | 123 Minutes

Directed by | Timur Bekmambetov | Cinematography by | Oliver Wood | Editing by | Dody Dorn, Richard Francis-Bruce

Starring | Jack Huston, Toby Kebbell, Rodrigo Santoro, Nazanin Boniadi

Cameras | ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Zoolander 2 (2016)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Zoolander 2 | ShotOnWhat?

Directed by | Ben Stiller | Cinematography by | Dan Mindel | Editing by | Greg Hayden

Starring | Ben Stiller, Owen Wilson, Penélope Cruz, Will Ferrell

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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