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A Teen Movie (2022)

Short Film | 2D | 4K Project | Color | 1.33:1 (4x3) | 9 Minutes

Directed by | Aranka Tjalsma | Cinematography by | Jesse Post | Editing by | Keno Aladjuz

Starring | Luna Man, Melissa Blaauwendraad, Roos Groenen

Cameras | Blackmagic Pocket Cinema 4K Camera, Blackmagic Pocket Cinema Camera 6K Pro

Manila in the Claws of Light (1975)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego

Starring | Hilda Koronel, Bembol Roco, Lou Salvador Jr.

Cameras | ARRIFLEX 35 IIB Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, ARRI Lenses

Neeras (2021)

Direct to Video, Short Film | 2D | 4K Project, UHD Project | Color | 2.39:1 | 10 Minutes

Directed by | Achyut Prashast Singh | Cinematography by | Achyut Prashast Singh | Editing by | Achyut Prashast Singh

Starring | Achyut Prashast Singh

Don’t Read This on a Plane (2020)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 93 Minutes

Directed by | Stuart McBratney | Cinematography by | Scott Devitte, László Kun | Editing by | Stuart McBratney

Starring | Sophie Desmarais, Susanna Dekker, Hildegard Schroedter

Cameras | Panasonic Lumix DMC-GH5 Camera, Red Epic Camera

Lenses | Angenieux Lenses, Panasonic Lenses, SLR Magic Lenses

Scattered (2020)

Short Film | 2D | 4K Project | Color | 1.85:1 | 11 Minutes

Directed by | Mike Donis | Cinematography by | Bruce William Harper | Editing by | Mike Donis

Starring | Laura Tremblay, Mike Donis, Lori-Ann Clancy

Cameras | Red Epic Camera

Pete Winning and the Pirates (2015)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 93 Minutes

Directed by | Mike Donis, Jason Leaver, Navin Ramaswaran | Cinematography by | Josh Ary, Mike Donis, Bruce William Harper, Jason Leaver, Henry Sansom | Editing by | Mike Donis

Starring | Mike Donis, Saffron Cassaday, Sandra DaCosta, Shawn Devlin

Cameras | Canon EOS Rebel T2i Camera, Canon EOS-5D Mark II Camera, Canon EOS-5D Mark III Camera

Mank (2020)

Motion Picture | 8K Project | Black & White | 2.20:1 | 131 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Gary Oldman, Amanda Seyfried, Lily Collins, Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leitz Summilux-C Series Lenses

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

An Enchanted (2019)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 103 Minutes

Directed by | Christian Cashmir | Editing by | Christian Cashmir

Starring | Yao Tsai, Quinton Aaron, Ashleigh Blackburn

Cameras | ARRI ALEXA Mini Camera

Lenses | Canon CN-E Series Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens

Stranger Things (2016)

Television Series | 2D | 4K Project | Color | 2.0:1 | 51 Minutes

| Cinematography by | Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco | Editing by | Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Starring | Millie Bobby Brown, Finn Wolfhard, Winona Ryder

Cameras | ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses | Leitz Summilux-C Series Lenses

The Queen’s Gambit (2020)

Miniseries | 2D | 8K Project | Color | 1.78:1 (16x9) | 397 Minutes

| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro

Starring | Anya Taylor-Joy, Chloe Pirrie, Bill Camp

Cameras | Red Monstro 8K Camera

Lenses | Zeiss Supreme Prime Series Lenses

Return of the Thumb (2018)

Motion Picture | 2D | 2K Project | Color | 2.35:1 |

Breaking Bad (2008)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 49 Minutes

| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo

Starring | Bryan Cranston, Aaron Paul, Anna Gunn, Betsy Brandt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses

Behold the Lamb (2011)

Motion Picture | 2D | HD Project | Color | 2.35:1 | 85 Minutes

Directed by | John McIlduff | Cinematography by | Steeven Petitteville | Editing by | Nick Emerson

Starring | Aoife Duffin, Nigel O'Neill, Shaun Paul McGrath

Cameras | ARRIFLEX 16mm Cameras

Lenses | Cooke Spherical Lenses, Cooke Varotal Lenses, Cooke Zoom Lenses, Leica R Series Lenses, Technovision Lenses

The Stroller Strategy (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Clément Michel | Cinematography by | Steeven Petitteville | Editing by | Julie Dupré

Starring | Raphaël Personnaz, Charlotte Le Bon, Jérôme Commandeur

Cameras | ARRI ALEXA Plus Camera

Lenses | Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Spooky Squad: Bigfoot’s Big Feat (2015)

TV Special | 2D | 4K Project | Color | 1.78:1 (16x9) |

Directed by | Nick Murphy, Paul Ritchey | Cinematography by | Gino Varisano

Starring | Corey Holland, Jacquie Baker, Dominic Moschitti

Cameras | Red Epic Dragon Camera

Operator (2016)

Motion Picture | 2D | 2K Project | Color | 87 Minutes

Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens

Starring | Martin Starr, Mae Whitman, Nat Faxon

Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera

Lenses | Zeiss Lenses

Promising Young Woman (2020)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Emerald Fennell | Cinematography by | Benjamin Kracun | Editing by | Frédéric Thoraval

Starring | Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision G Series Anamorphic Lenses

Khaita Dance (2020)

Short Film | 2D | HD Project | Color | 1.78:1 (16x9) | 9 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Tatiana Bolotova, Mashe Braude, Carles Jañez Brucet, Nicola Cassano

Cameras | Sony α7 II Camera

Lenses | Sony G Series Lenses

Nécrologies (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 75 Minutes

Directed by | Fabien Chombart, Guillaume Defare, Nathalie Epoque, François Message, Alexis Wawerka | Cinematography by | Fabien Chombart, François Message, Guillaume Ogier | Editing by | Hugo Aribart, Fabien Chombart, Guillaume Defare, François Message

Starring | Jean-Claude Dreyfus, Sophie Jarmouni, Francesco Porcelli

Cameras | Sony PMW-F3 Camera, Sony α7S Camera

Lenses | Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

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