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Booksmart (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Olivia Wilde | Cinematography by | Jason McCormick | Editing by | Jamie Gross, Brent White

Starring | Kaitlyn Dever, Beanie Feldstein, Jessica Williams

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision T Series Anamorphic Lenses

My Best Friend’s Wedding (1997)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | P.J. Hogan | Cinematography by | László Kovács | Editing by | Garth Craven, Lisa Fruchtman

Starring | Julia Roberts, Dermot Mulroney, Cameron Diaz

Cameras | Panavision Panaflex Camera

A Very Long Engagement (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid

Starring | Audrey Tautou, Gaspard Ulliel, Jodie Foster

Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

What Dreams May Come (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 113 Minutes

Directed by | Vincent Ward | Cinematography by | Eduardo Serra | Editing by | David Brenner, Maysie Hoy

Starring | Robin Williams, Cuba Gooding Jr., Annabella Sciorra

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Barely Legal (2011)

Direct to Video | 2D | 2K Project | Color | 1.85:1 | 89 Minutes

Directed by | Jose Montesinos | Cinematography by | Ben Demaree | Editing by | Rob Pallatina

Starring | Jeneta St. Clair, Lisa Younger, Melissa Johnston

Cameras | Red One MX Camera

Platoon (1986)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Claire Simpson

Starring | Charlie Sheen, Tom Berenger, Willem Dafoe

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | JDC (Joe Dunton Camera) Lenses

Never Look Away (2018)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Florian Henckel von Donnersmarck | Cinematography by | Caleb Deschanel | Editing by | Patricia Rommel, Patrick Sanchez Smith

Starring | Tom Schilling, Sebastian Koch, Paula Beer

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Lay the Favorite (2012)

Motion Picture | 2D | Color | 1.85:1, 2.39:1 | 94 Minutes

Directed by | Stephen Frears | Cinematography by | Michael McDonough | Editing by | Mick Audsley

Starring | Rebecca Hall, Bruce Willis, Vince Vaughn

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Primo Primes Spherical Lenses

As Good as It Gets (1997)

Motion Picture | 2D | Color | 1.85:1 | 139 Minutes

Directed by | James L. Brooks | Cinematography by | John Bailey | Editing by | Richard Marks

Starring | Jack Nicholson, Helen Hunt, Greg Kinnear

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Big Miracle (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Ken Kwapis | Cinematography by | John Bailey | Editing by | Cara Silverman

Starring | Drew Barrymore, John Krasinski, John Pingayak

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Beautiful Creatures (2013)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Richard LaGravenese | Cinematography by | Philippe Rousselot | Editing by | David Moritz

Starring | Alice Englert, Viola Davis, Emma Thompson

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Horrible Bosses (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 98 Minutes

Directed by | Seth Gordon | Cinematography by | David Hennings | Editing by | Peter Teschner

Starring | Jason Bateman, Charlie Day, Jason Sudeikis

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

Dream House (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Jim Sheridan | Cinematography by | Caleb Deschanel | Editing by | Glen Scantlebury, Barbara Tulliver

Starring | Daniel Craig, Rachel Weisz, Naomi Watts

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Dexter (2006)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 53 Minutes

| Cinematography by | Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey | Editing by | Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz

Starring | Michael C. Hall, Jennifer Carpenter, David Zayas, James Remar

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera

Spider-Man (2002)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Willem Dafoe, James Franco

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Apollo 13 (1995)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.78:1 (16x9), 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Hanks, Bill Paxton, Kevin Bacon

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Spider-Man 2 (2004)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 127 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Alfred Molina, James Franco

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Clueless (1995)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9) | 97 Minutes

Directed by | Amy Heckerling | Cinematography by | Bill Pope | Editing by | Debra Chiate

Starring | Alicia Silverstone, Stacey Dash, Brittany Murphy

Cameras | Moviecam Compact Camera, Panavision Cameras

Lenses | Panavision Lenses, Zeiss Lenses

Manila in the Claws of Light (1975)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego

Starring | Hilda Koronel, Bembol Roco, Lou Salvador Jr.

Cameras | ARRIFLEX 35 IIB Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, ARRI Lenses

Neeras (2021)

Direct to Video, Short Film | 2D | 4K Project, UHD Project | Color | 2.39:1 | 10 Minutes

Directed by | Achyut Prashast Singh | Cinematography by | Achyut Prashast Singh | Editing by | Achyut Prashast Singh

Starring | Achyut Prashast Singh

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