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Men in Black (1997)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Donald Peterman | Editing by | Jim Miller

Starring | Tommy Lee Jones, Will Smith, Linda Fiorentino, Vincent D'Onofrio

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Sherlock Holmes: A Game of Shadows (2011)

Motion Picture | 2D | Color | 2.35:1 | 129 Minutes

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert

Starring | Robert Downey Jr., Jude Law, Jared Harris, Rachel McAdams

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses | Panavision Primo Anamorphic Lenses

Dune (1984)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 137 Minutes

Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Antony Gibbs

Starring | Kyle MacLachlan, Virginia Madsen, Francesca Annis, Leonardo Cimino

Cameras | ARRIFLEX 35 BL2 Camera, Photo-Sonics 35mm-4ER Camera

The English Patient (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 162 Minutes

Directed by | Anthony Minghella | Cinematography by | John Seale | Editing by | Walter Murch

Starring | Ralph Fiennes, Juliette Binoche, Willem Dafoe, Kristin Scott Thomas

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Jackass 3D (2010)

Motion Picture | 3D | Color | 1.78:1 (16x9) | 94 Minutes

Jackass 3D | ShotOnWhat?

Directed by | Jeff Tremaine | Cinematography by | Lance Bangs, Dimitry Elyashkevich, Rick Kosick | Editing by | Seth Casriel, Matthew Kosinski, Matthew Probst

Starring | Johnny Knoxville, Steve-O, Bam Margera, Ryan Dunn

Cameras | Phantom HD Camera, Red One Camera, Silicon Imaging SI-2K Camera

Final Destination 5 (2011)

Motion Picture | 3D | Color | 2.35:1 | 92 Minutes

Final Destination 5 | ShotOnWhat?

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Nicholas D'Agosto, Emma Bell, Arlen Escarpeta, Miles Fisher

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Pirates of the Caribbean: Dead Man’s Chest (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Jack Davenport

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Gone with the Wind (1939)

Motion Picture | 2D | Film Project | Color | 1.37:1, 2.20:1 | 238 Minutes

Directed by | Victor Fleming, George Cukor, Sam Wood | Cinematography by | Ernest Haller, Lee Garmes

Starring | Clark Gable, Vivien Leigh, Thomas Mitchell, Barbara O'Neil

Cameras | Technicolor 3-Strip Camera

Lenses | Bausch & Lomb Lenses

Suspiria (1977)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli

Starring | Jessica Harper, Stefania Casini, Flavio Bucci, Miguel Bosé

Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera

Lenses | Technovision Lenses

Road to Perdition (2002)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock

Starring | Tom Hanks, Tyler Hoechlin, Rob Maxey, Liam Aiken

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Like Crazy (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 86 Minutes

Like Crazy | ShotOnWhat?

Directed by | Drake Doremus | Cinematography by | John Guleserian | Editing by | Jonathan Alberts

Starring | Felicity Jones, Anton Yelchin, Jennifer Lawrence, Charlie Bewley

Cameras | Canon EOS-7D Camera

Lenses | Zeiss Ultra Prime Lenses

Captain America: The First Avenger (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford

Starring | Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

To Rome with Love (2012)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

To Rome with Love | ShotOnWhat?

Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter

Starring | Woody Allen, Penélope Cruz, Jesse Eisenberg, Elliot Page

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke 5/i Lenses, Cooke Speed Panchro Lenses

The Four Feathers (2002)

Motion Picture | 2D | Color | 2.35:1 | 132 Minutes

The Four Feathers | ShotOnWhat?

Directed by | Shekhar Kapur | Cinematography by | Robert Richardson | Editing by | Steven Rosenblum

Starring | Heath Ledger, Wes Bentley, Kate Hudson, Mohamed Bouich

Cameras | Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision E Series Anamorphic Lenses

South Pacific (1958)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 157 Minutes

Directed by | Joshua Logan | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson

Starring | Rossano Brazzi, Mitzi Gaynor, John Kerr, Ray Walston

Cameras | Todd-AO 65mm Camera

The Cell (2000)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell

Starring | Jennifer Lopez, Vince Vaughn, Vincent D'Onofrio, Colton James

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses | Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

Secretariat (2010)

Motion Picture | 2D | Color | 2.35:1 | 123 Minutes

Secretariat | ShotOnWhat?

Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright

Starring | Diane Lane, John Malkovich, Margo Martindale, Nelsan Ellis

Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Friends with Benefits (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan

Starring | Mila Kunis, Justin Timberlake, Patricia Clarkson, Jenna Elfman

Cameras | Sony CineAlta F35 Camera, Sony Other Camera

Lenses | Panavision Primo Anamorphic Lenses

Out of Africa (1985)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 161 Minutes

Directed by | Sydney Pollack | Cinematography by | David Watkin | Editing by | Pembroke J. Herring, Sheldon Kahn, Fredric Steinkamp, William Steinkamp

Starring | Meryl Streep, Robert Redford, Klaus Maria Brandauer, Michael Kitchen

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

21 Grams (2003)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione

Starring | Sean Penn, Benicio Del Toro, Naomi Watts, Danny Huston

Cameras | Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

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