Blu-ray | 1349 Titles
Happy Feet (2006)
Directed by | George Miller, Warren Coleman, Judy Morris | Cinematography by | David Peers | Editing by | Christian Gazal, Margaret Sixel
The Duchess (2008)
Poltergeist III (1988)
Directed by | Gary Sherman | Cinematography by | Alex Nepomniaschy | Editing by | Ross Albert
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Moneyball (2011)
Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Nitro Circus: The Movie (2012)
Directed by | Gregg Godfrey, Jeremy Rawle | Cinematography by | Donny Anderson, Brandon Christensen | Editing by | Seth Torok
Cameras | Red Epic Camera
Who Framed Roger Rabbit (1988)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Camera, VistaVision Cameras
Lenses | Panavision Lenses
The Change-Up (2011)
Directed by | David Dobkin | Cinematography by | Eric Alan Edwards | Editing by | Lee Haxall, Greg Hayden
Lenses | Cooke S4 Lenses
City of God (2002)
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
Don’t Answer the Phone! (1980)
Directed by | Robert Hammer | Cinematography by | James L. Carter | Editing by | Joe Fineman
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Step Brothers (2008)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | Panavision Cameras
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
People Like Us (2012)
Directed by | Alex Kurtzman | Cinematography by | Salvatore Totino | Editing by | Robert Leighton
Lenses | Cooke S4 Lenses
The New World (2005)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
The Secret in Their Eyes (2009)
Directed by | Juan José Campanella | Cinematography by | Félix Monti | Editing by | Juan José Campanella
Cameras | Red One Camera
Largo Winch II (2011)
The New Daughter (2009)
Directed by | Luiso Berdejo | Cinematography by | Checco Varese | Editing by | Tom Elkins, Robb Sullivan
Jennifer’s Body (2009)
Directed by | Karyn Kusama | Cinematography by | M. David Mullen | Editing by | Plummy Tucker
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses
Air America (1990)
Directed by | Roger Spottiswoode | Cinematography by | Roger Deakins | Editing by | John Bloom, Lois Freeman-Fox
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
Chernobyl Diaries (2012)
Directed by | Bradley Parker | Cinematography by | Morten Søborg | Editing by | Stan Salfas
Cameras | ARRI ALEXA Camera
