2.39:1 | 1565 Titles
Far North (2007)
Directed by | Asif Kapadia | Cinematography by | Roman Osin | Editing by | Ewa J. Lind
Cameras | Panavision Panaflex Millennium XL Camera
Autoreiji (2010)
Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Yoshinori Ohta, Takeshi Kitano
Cameras | ARRIFLEX 535 B Camera
United 93 (2006)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses
Jodhaa Akbar (2008)
Directed by | Ashutosh Gowariker | Cinematography by | Kiran Deohans | Editing by | Ballu Saluja
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Gangs of New York (2002)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Hope Springs (2012)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Steven Weisberg
Cameras | ARRI ALEXA Camera
Brannigan (1975)
Directed by | Douglas Hickox | Cinematography by | Gerry Fisher | Editing by | Malcolm Cooke
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Gandhi (1982)
Directed by | Richard Attenborough | Cinematography by | Ronnie Taylor, Billy Williams | Editing by | John Bloom
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Samsara (2001)
Directed by | Pan Nalin | Cinematography by | Rali Raltschev | Editing by | Isabel Meier
Cameras | Fricke 65mm Time-Lapse Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera
Lenses | Schneider Variogon Lenses
Harry Potter and the Goblet of Fire (2005)
Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley
Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses
Blow Out (1981)
Martha Marcy May Marlene (2011)
Directed by | Sean Durkin | Cinematography by | Jody Lee Lipes | Editing by | Zachary Stuart-Pontier
Cameras | ARRICAM Lite (LT) Camera
Dancer in the Dark (2000)
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | François Gédigier, Molly Malene Stensgaard
Cameras | Sony DSR-PD100 Camera, Sony DSR-PD150 Camera
San wa (2005)
Directed by | Stanley Tong | Cinematography by | Wing-Hang Wong | Editing by | Chi Wai Yau
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Panavision Panaflex Platinum Camera
Alien Nation (1988)
Directed by | Graham Baker | Cinematography by | Adam Greenberg | Editing by | Kent Beyda
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
Roaming (2015)
Directed by | Michael Ray Fox | Cinematography by | Kyle Cameron, Cam Erais | Editing by | Drew Wilson
Cameras | Red One Camera
Lenses | Red Pro Prime Lenses
Krabat (2008)
Directed by | Marco Kreuzpaintner | Cinematography by | Daniel Gottschalk | Editing by | Hansjörg Weißbrich
Lenses | Angenieux HR 17-102 mm T2.9 Lens, Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo Zoom Lenses
U-571 (2000)
Directed by | Jonathan Mostow | Cinematography by | Oliver Wood | Editing by | Wayne Wahrman
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Cooke S4 Lenses, Nikon - Nikkor Lenses
2 Fast 2 Furious (2003)
Directed by | John Singleton | Cinematography by | Matthew F. Leonetti | Editing by | Bruce Cannon, Dallas Puett
Lenses | Cooke S4 Lenses