2.39:1 | 1565 Titles
The Bourne Ultimatum (2007)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Hereafter (2010)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera
Ali (2001)
Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera
Broken Embraces (2009)
Directed by | Pedro Almodóvar | Cinematography by | Rodrigo Prieto | Editing by | José Salcedo, Roberto Serrano
Cameras | ARRIFLEX 416 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra 16 Lenses
The Last Samurai (2003)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
TRON (1982)
Directed by | Steven Lisberger | Cinematography by | Bruce Logan | Editing by | Jeff Gourson
Lenses | Panavision Lenses
Armored (2009)
The Bounty (1984)
Directed by | Roger Donaldson | Cinematography by | Arthur Ibbetson | Editing by | Tony Lawson
Cameras | J-D-C Camera, Joe Dunton Cameras
Carnage (2011)
Space Cowboys (2000)
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras | Panavision Cameras
Lenses | Panavision Lenses
In the Valley of Elah (2007)
Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Braveheart (1995) 
Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Platinum Camera
Breaking the Waves (1996)
Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn
Cameras | Moviecam Compact Camera
Lenses | Zeiss Lenses
The Innkeepers (2011)
Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West
Cameras | Aaton Penelope Camera
2010 (1984)
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Mia Goldman, James Mitchell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Monster’s Ball (2001)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera
The Painted Veil (2006)
Directed by | John Curran | Cinematography by | Stuart Dryburgh | Editing by | Alexandre de Franceschi
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Melancholia (2011)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Molly Malene Stensgaard
Cameras | ARRI ALEXA Camera, Phantom HD Gold Camera
3:10 to Yuma (2007)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker
Ridicule (1996)
