Color | 3927 Titles
Shanghai (2010)
Directed by | Mikael Håfström | Cinematography by | Benoît Delhomme | Editing by | Peter Boyle, Kevin Tent
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Dumb & Dumber (1994)
Directed by | Peter Farrelly, Bobby Farrelly | Cinematography by | Mark Irwin | Editing by | Christopher Greenbury
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Lives of Others (2006)
Directed by | Florian Henckel von Donnersmarck | Cinematography by | Hagen Bogdanski | Editing by | Patricia Rommel
Cameras | ARRIFLEX 535 B Camera
Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses
Amistad (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
Lenses | Zeiss Super Speed Lenses
Happy-Go-Lucky (2008)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark
Cameras | ARRI ARRIFLEX Series Cameras
After… (2006)
Directed by | David L. Cunningham | Cinematography by | Haole Boy | Editing by | David Handman, Geoffrey Rowland
Cameras | Sony HVR-Z1U Camera
Jodaeiye Nader az Simin (2011)
Directed by | Asghar Farhadi | Cinematography by | Mahmoud Kalari | Editing by | Hayedeh Safiyari
Cameras | Aaton 35-III Camera
Lenses | ARRI / Zeiss Lenses
10,000 Black Men Named George (2002)
Directed by | Robert Townsend | Cinematography by | Edward J. Pei | Editing by | Katina Zinner, Peter Zinner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Wrestler (2008)
Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum
Cameras | ARRIFLEX 416 Camera
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by | Andrew Adamson | Cinematography by | Donald McAlpine | Editing by | Sim Evan-Jones, Jim May
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Argo (2012) 
Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg
Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
51 Paintings (2012)
Directed by | Shaun Wilson | Cinematography by | Shaun Wilson | Editing by | Tammy Honey
Cameras | Canon EOS 550D Camera, Red One Camera
Lenses | Zeiss DigiPrime Lenses
Jo sok (2005)
Directed by | Tung-Shing Yee | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Girl with a Pearl Earring (2003)
Directed by | Peter Webber | Cinematography by | Eduardo Serra | Editing by | Kate Evans
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
End of Watch (2012)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Dody Dorn
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera
Abominable (2006)
Directed by | Ryan Schifrin | Cinematography by | Neal Fredericks | Editing by | Chris Conlee
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Eine ganz heiße Nummer (2011)
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Simon Gstöttmayr
Cameras | Moviecam Compact MK2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Beneath the Darkness (2011)
Directed by | Martin Guigui | Cinematography by | Massimo Zeri | Editing by | Eric Potter
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Lenses
Mørke sjeler (2010)
Directed by | César Ducasse, Mathieu Peteul | Cinematography by | César Ducasse, Mathieu Peteul | Editing by | César Ducasse, Mathieu Peteul
The Devil Wears Prada (2006)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi
Cameras | ARRICAM Studio (ST) Camera
