Color | 3927 Titles
Two Brothers (2004)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Noëlle Boisson
44 Inch Chest (2009)
Directed by | Malcolm Venville | Cinematography by | Daniel Landin | Editing by | Rick Russell
Cameras | ARRICAM Lite (LT) Camera
American Gangster (2007)
Directed by | Ridley Scott | Cinematography by | Harris Savides | Editing by | Pietro Scalia
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Crazy People (1990)
Directed by | Tony Bill, Barry L. Young | Cinematography by | Victor J. Kemper | Editing by | Mia Goldman
Lenses | Panavision Ultra Speed MKII Lenses
8 Heads in a Duffel Bag (1997)
Directed by | Tom Schulman | Cinematography by | Adam Holender | Editing by | David Holden
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Local Color (2006)
Directed by | George Gallo | Cinematography by | Michael Negrin | Editing by | Malcolm Campbell
Cameras | Panavision Cameras
Lenses | Angenieux Optimo Zoom Lenses
Far and Away (1992)
Directed by | Ron Howard | Cinematography by | Mikael Salomon | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision 65mm Prime Lenses, Zeiss Lenses
Snow White and the Huntsman (2012)
Directed by | Rupert Sanders | Cinematography by | Greig Fraser | Editing by | Conrad Buff IV, Neil Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Inland Empire (2006)
Directed by | David Lynch | Cinematography by | David Lynch | Editing by | David Lynch
Cameras | Sony DSR-PD150 Camera
Slumdog Millionaire (2008) 
Directed by | Danny Boyle, Loveleen Tandan | Cinematography by | Anthony Dod Mantle | Editing by | Chris Dickens
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Body of Evidence (1992)
Directed by | Uli Edel | Cinematography by | Douglas Milsome | Editing by | Thom Noble
Cameras | ARRIFLEX Camera
Lenses | ARRI Lenses
Terminator 3: Rise of the Machines (2003)
Directed by | Jonathan Mostow | Cinematography by | Don Burgess | Editing by | Nicolas De Toth, Neil Travis
Cameras | Panavision Panaflex Platinum Camera
Saving Private Ryan (1998)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Central Station (1998)
Directed by | Walter Salles | Cinematography by | Walter Carvalho | Editing by | Felipe Lacerda, Isabelle Rathery
100 Feet (2008)
Directed by | Eric Red | Cinematography by | Ken Kelsch | Editing by | Janice Hampton, Anthony Redman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Pursuit of Happyness (2006)
Directed by | Gabriele Muccino | Cinematography by | Phedon Papamichael | Editing by | Hughes Winborne
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Addison’s Wall (2006)
Directed by | David Waingarten | Cinematography by | Auric Armstrong | Editing by | Aaron Vega
Cameras | ARRIFLEX Camera
About Adam (2000)
Magnolia (1999)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Cameras | Panavision Cameras, Pathé Cameras
Lenses | Panavision Lenses
King Kong (2005)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
