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Elf-Man (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 86 Minutes

Directed by | Ethan Wiley | Cinematography by | John Grove II | Editing by | Russell Denove

Starring | Jason 'Wee Man' Acuña, Jeffrey Combs, Mackenzie Astin, Mirelly Taylor

Cameras | Sony Cameras

Lenses | Red Digital Cinema Lenses

Prisoners (2013)

Motion Picture | 2D | 4K Project | Color | 153 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joel Cox, Gary Roach

Starring | Hugh Jackman, Jake Gyllenhaal, Viola Davis, Melissa Leo

Cameras | ARRI ALEXA Studio Camera

Lenses | Zeiss Master Prime Lenses

300: Rise of an Empire (2014)

Motion Picture | 3D | Color | 102 Minutes

Directed by | Noam Murro | Cinematography by | Simon Duggan | Editing by | David Brenner, Wyatt Smith

Starring | Sullivan Stapleton, Eva Green, Lena Headey, Hans Matheson

Cameras | Red Epic Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Elysium (2013)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith

Starring | Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga

Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Percy Jackson: Sea of Monsters (2013)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Thor Freudenthal | Cinematography by | Shelly Johnson | Editing by | Mark Goldblatt

Starring | Logan Lerman, Alexandra Daddario, Brandon T. Jackson, Nathan Fillion

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Great Gatsby (2013)

Motion Picture | 3D | Color | 2.39:1 | 143 Minutes

Directed by | Baz Luhrmann | Cinematography by | Simon Duggan | Editing by | Jason Ballantine, Jonathan Redmond, Matt Villa

Starring | Leonardo DiCaprio, Carey Mulligan, Joel Edgerton, Tobey Maguire

Cameras | Red Epic Camera

Lenses | Zeiss Ultra Prime Lenses

Despicable Me 2 (2013)

Motion Picture | 3D | Color | 1.85:1 | 98 Minutes

Directed by | Pierre Coffin, Chris Renaud | Editing by | Gregory Perler

Starring | Steve Carell, Kristen Wiig, Benjamin Bratt, Miranda Cosgrove

Epic (2013)

Motion Picture | 3D | Color | 2.35:1 | 102 Minutes

Directed by | Chris Wedge | Cinematography by | Renato Falcão | Editing by | Andy Keir

Starring | Amanda Seyfried, Josh Hutcherson, Beyoncé, Colin Farrell

Pain & Gain (2013)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Tom Muldoon, Joel Negron

Starring | Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub

Cameras | Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses | Panavision C Series Anamorphic Lenses

Dawn of the Planet of the Apes (2014)

Motion Picture | 3D | Color | 130 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Gary Oldman, Keri Russell, Andy Serkis, Kodi Smit-McPhee

Cameras | ARRI ALEXA M Camera

Lenses | ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Key and Peele (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Charles Papert | Editing by | Christian Hoffman, Adam Lichtenstein, Richard LaBrie, Nicholas Monsour, Maura Corey, Phil Davis, Justin Donaldson, Neil Mahoney, Bryan Shelton, Stephen Waichulis

Starring | Keegan-Michael Key, Jordan Peele, Ron Artest, Matt Wheeler

Cameras | ARRI ALEXA XT Camera, Sony PMW-F3 Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Army Wives (2007)

Television Series | 2D | HD Project | Color | 60 Minutes

| Cinematography by | Robert LaBonge, Lloyd Ahern II, Todd McMullen, Frank Perl | Editing by | Briana London, Sharon Silverman, Susan K. Weiler, Kurt Courtland, Chris Peppe, Alan Cody, Peter B. Ellis, Lauren A. Schaffer, Christopher Cooke, Susan Vaill, Meghan Robertson

Starring | Brian McNamara, Wendy Davis, Catherine Bell, Sterling K. Brown

Cameras | Sony PMW-F3 Camera

Officer Down (2013)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 110 Minutes

Directed by | Richard Bakewell | Cinematography by | Chun Ming Huang

Starring | Rachel Alig, Laura Rauh, Frederick Lawrence, Stefan Prater

Cameras | Sony PMW-F3 Camera

Lenses | Cooke Speed Panchro Lenses

The Last Exorcism Part II (2013)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Ed Gass-Donnelly | Cinematography by | Brendan Steacy | Editing by | Ed Gass-Donnelly

Starring | Ashley Bell, Julia Garner, Spencer Treat Clark, David Jensen

Cameras | ARRI ALEXA Camera

The Lying Game (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Dennis Hall, Ian Ellis, Crescenzo G.P. Notarile | Editing by | Janet Weinberg, Tim Tommasino, J. Benjamin Chulay, Henk Van Eeghen

Starring | Alexandra Chando, Andy Buckley, Allie Gonino, Alice Greczyn

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Reach Me (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | John Herzfeld | Cinematography by | Vern Nobles | Editing by | Steven Cohen

Starring | Lauren Cohan, Kyra Sedgwick, Thomas Jane, Kevin Connolly

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses

Harold & Kumar Go to White Castle (2004)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Danny Leiner | Cinematography by | Bruce Douglas Johnson | Editing by | Jeff Betancourt

Starring | John Cho, Kal Penn, Ethan Embry, Rob Tinkler

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Snitch (2013)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Ric Roman Waugh | Cinematography by | Dana Gonzales | Editing by | Jonathan Chibnall

Starring | Dwayne Johnson, Susan Sarandon, Jon Bernthal, Rafi Gavron

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

1000 to 1: The Cory Weissman Story (2014)

Direct to Video | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Michael Levine | Cinematography by | James Mathers | Editing by | Colleen Halsey, Richard Halsey

Starring | David Henrie, Luke Kleintank, Beau Bridges, Jean Louisa Kelly

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Lenses

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