ARRI Raw | 332 Titles
The Man from U.N.C.L.E. (2015)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera
The 33 (2015)
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses
Son of a Gun (2014)
Directed by | Julius Avery | Cinematography by | Nigel Bluck | Editing by | Jack Hutchings
Cameras | ARRI ALEXA XT Plus Camera
Crimson Peak (2015)
Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Bernat Vilaplana
Cameras | ARRI ALEXA XT Camera
Sicario (2015)
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker
Lenses | Zeiss Master Prime Lenses
Call Me King (2017)
Directed by | R.L. Scott | Cinematography by | R.L. Scott
Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera
Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Southpaw (2015)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua
Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Best of Me (2014)
Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse
Cameras | ARRI ALEXA XT Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Les cowboys (2015)
Directed by | Thomas Bidegain | Cinematography by | Arnaud Potier | Editing by | Géraldine Mangenot
Cameras | ARRI ALEXA XT Camera
Zoolander 2 (2016)
Directed by | Ben Stiller | Cinematography by | Dan Mindel | Editing by | Greg Hayden
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Spy (2015)
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA XT Camera
San Andreas (2015)
Directed by | Brad Peyton | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Big Game (2014)
Directed by | Jalmari Helander | Cinematography by | Mika Orasmaa | Editing by | Iikka Hesse
Cameras | ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera, Phantom Flex Camera, Red Epic Camera
Lenses | Hawk Anamorphic Lenses
The Book Thief (2013)
Directed by | Brian Percival | Cinematography by | Florian Ballhaus | Editing by | John Wilson
Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Avengers: Age of Ultron (2015)
Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek
Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
The Gunman (2015)
Directed by | Pierre Morel | Cinematography by | Flavio Martínez Labiano | Editing by | Frédéric Thoraval
Cameras | ARRI ALEXA XT Camera, Red Epic Camera
Lenses | Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Get Hard (2015)
Directed by | Etan Cohen | Cinematography by | Tim Suhrstedt | Editing by | Michael L. Sale
Cameras | ARRI ALEXA XT Plus Camera
Fifty Shades of Grey (2015)
Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Anne V. Coates, Lisa Gunning, Debra Neil-Fisher
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Goddess (2013)
Directed by | Mark Lamprell | Cinematography by | Damian Wyvill
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses




































































