ARRI Raw | 332 Titles
A Most Wanted Man (2014)
Directed by | Anton Corbijn | Cinematography by | Benoît Delhomme | Editing by | Claire Simpson
Cameras | ARRI ALEXA M Camera
Lenses | Zeiss Super Speed Lenses
A Most Violent Year (2014)
Mr. Turner (2014)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory
Cameras | ARRI ALEXA Plus Camera, Canon EOS-C500 Camera
Lenses | Cooke Speed Panchro Lenses
Ange et Gabrielle (2015)
Directed by | Anne Giafferi | Cinematography by | Stéphane Cami | Editing by | Christine Lucas Navarro
Cameras | ARRI ALEXA XT Plus Camera
The Transporter Refueled (2015)
Directed by | Camille Delamarre | Cinematography by | Christophe Collette, Vincent Richard | Editing by | Julien Rey
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Hercules (2014)
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong
Cameras | ARRI ALEXA XT Camera
The Water Diviner (2014)
Directed by | Russell Crowe | Cinematography by | Andrew Lesnie | Editing by | Matt Villa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision Primo Anamorphic Lenses
The Hunger Games: Mockingjay – Part 2 (2015)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Drop (2014)
Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Christopher Tellefsen
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Leitz Summilux-C Series Lenses
This Is Where I Leave You (2014)
Directed by | Shawn Levy | Cinematography by | Terry Stacey | Editing by | Dean Zimmerman
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Birdman or (The Unexpected Virtue of Ignorance) (2014) 
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Douglas Crise, Stephen Mirrione
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Annabelle (2014)
The Equalizer (2014)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Teenage Mutant Ninja Turtles (2014)
Directed by | Jonathan Liebesman | Cinematography by | Lula Carvalho | Editing by | Joel Negron, Glen Scantlebury
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Purge: Anarchy (2014)
Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Vince Filippone, Todd E. Miller
Cameras | ARRI ALEXA XT Camera
Before I Disappear (2014)
Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Andrew Napier, Damon Russell
Cameras | ARRI ALEXA Series Cameras
Lenses | Hawk V-Lite Lenses
Lucy (2014)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
The SpongeBob Movie: Sponge Out of Water (2015)
Directed by | Paul Tibbitt, Mike Mitchell | Cinematography by | Phil Meheux | Editing by | David Ian Salter
Cameras | ARRI ALEXA Camera
Million Dollar Arm (2014)
Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
Horrible Bosses 2 (2014)
Directed by | Sean Anders | Cinematography by | Julio Macat | Editing by | Eric Kissack
Cameras | ARRI ALEXA XT Camera
Lenses | Leitz Summilux-C Series Lenses
