ARRI Cameras | 2118 Titles
Broad City (2014)
| Cinematography by | Steven Capitano Calitri, Chris Teague, Ashley Connor, Paul Koestner | Editing by | Elizabeth Merrick, Laura Weinberg, Jessica Brunetto, Jon Philpot, Nick Mougis, Alex Minnick, Kate Pedatella, Samuel Rosenberg, Nick Paley, Jon Higgins, Warren Paley
Cameras | ARRI ALEXA Plus Camera
Bahubali: The Beginning (2015)
Directed by | S.S. Rajamouli | Cinematography by | Senthil Kumar | Editing by | Kotagiri Venkateshwara Rao
Cameras | ARRI ALEXA XT Camera
Friendship’s Field (1995)
Directed by | Bruce Neibaur | Cinematography by | Matthew Williams
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Standard Speed Prime Lenses
Orphan Black (2013)
| Cinematography by | Aaron Morton, David Frazee, Michael Marshall | Editing by | Jay Prychidny, D. Gillian Truster, Brett Sullivan, Reginald Harkema, Stephen Lawrence, Stephen Philipson, Stephen Roque, Matthew Anas
Cameras | ARRI ALEXA XT Camera
The Thin Red Line (1998)
Directed by | Terrence Malick | Cinematography by | John Toll | Editing by | Leslie Jones, Saar Klein, Billy Weber
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Shazam! (2019)
Directed by | David F. Sandberg | Cinematography by | Maxime Alexandre | Editing by | Michel Aller
Lenses | Zeiss Master Prime Lenses
Krrish 3 (2013)
Directed by | Rakesh Roshan | Cinematography by | S. Tirru | Editing by | Chandan Arora
Cameras | ARRIFLEX 35mm Cameras
Wounds (2019)
Directed by | Babak Anvari | Cinematography by | Kit Fraser | Editing by | Chris Barwell
Cameras | ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses
Five Feet Apart (2019)
Directed by | Justin Baldoni | Cinematography by | Frank G. DeMarco | Editing by | Angela M. Catanzaro
Cameras | ARRI AMIRA Camera
Lenses | Cooke Lenses, Cooke Spherical Lenses
Shoplifters (2018)
Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda
Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses
Solo: A Star Wars Story (2018)
High School Musical: The Musical – The Series (2019)
| Cinematography by | Matthew Williams, Larry Reibman | Editing by | Tod Modisett, Melissa Gearhart
Cameras | ARRI ALEXA Mini Camera
A Star Is Born (2018)
Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Andi Mack (2017)
| Cinematography by | Matthew Williams | Editing by | Jane Choi, Marcelo Sansevieri
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke 5/i Prime 100mm T1.4 Lens, Cooke 5/i Prime 135mm T1.4 Lens, Cooke 5/i Prime 18mm T1.4 Lens, Cooke 5/i Prime 25mm T1.4 Lens, Cooke 5/i Prime 32mm T1.4 Lens, Cooke 5/i Prime 40mm T1.4 Lens, Cooke 5/i Prime 50mm T1.4 Lens, Cooke 5/i Prime 65mm T1.4 Lens, Cooke 5/i Prime 75mm T1.4 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Jackie (2016)
Directed by | Pablo Larraín | Cinematography by | Stéphane Fontaine | Editing by | Sebastián Sepúlveda
Cameras | ARRIFLEX 416 Plus Camera
The Shining (1980)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy
Cameras | ARRIFLEX 35 BL Camera
Eyes Wide Shut (1999)
Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Malaria (2016)
Directed by | Parviz Shahbazi | Cinematography by | Hooman Behmanesh | Editing by | Parviz Shahbazi
Cameras | ARRI ALEXA XT Plus Camera
Taxi Driver (1976)
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
If Beale Street Could Talk (2018)
Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders
Cameras | ARRI ALEXA 65 Camera
Lenses | ARRI Rental Prime DNA Lenses
