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ARRI ALEXA Series Cameras  |  819 Titles

ARRI ALEXA Series Cameras 4.75/5 8 Votes

Early Birds   (2012)

  |    |  Color  |    |  22 Minutes
Directed by | Jeroen Bogaert | Cinematography by | Rik Zang | Editing by | Karel van Bellingen
Lenses |

Desperate Housewives   (2004)

  |    |  Color  |  ,   |  45 Minutes

Hawaii Five-0   (2010)

  |    |  Color  |    |  42 Minutes

Jack and Jill   (2011)

  |    |  Color  |    |  91 Minutes
Directed by | Dennis Dugan | Cinematography by | Dean Cundey | Editing by | Tom Costain
Cameras |

Styria   (2014)

  |    |  Color  |  99 Minutes

Celeste & Jesse Forever   (2012)

  |    |  Color  |    |  92 Minutes

Broken City   (2013)

  |    |    |    |  109 Minutes

Here Comes the Boom   (2012)

  |    |    |    |    |  105 Minutes

Skyfall   (2012)

  |    |    |  ,   |  143 Minutes

Life of Pi   (2012)

  |    |    |    |  127 Minutes
Directed by | Ang Lee | Cinematography by | Claudio Miranda | Editing by | Tim Squyres
Cameras |

Hello I Must Be Going   (2012)

  |    |  Color  |  95 Minutes
Directed by | Todd Louiso | Cinematography by | Julie Kirkwood | Editing by | Tom McArdle
Cameras |

Russendisko   (2012)

  |    |  Color  |    |  100 Minutes

The Pact   (2012)

  |    |  Color  |    |  89 Minutes
Directed by | Nicholas McCarthy | Cinematography by | Bridger Nielson | Editing by | Adriaan van Zyl
Cameras |

Hypnotisören   (2012)

  |    |  Color  |    |  122 Minutes

This Is 40   (2012)

  |    |  Color  |    |  134 Minutes
Directed by | Judd Apatow | Cinematography by | Phedon Papamichael | Editing by | David L. Bertman, Jay Deuby, Brent White
Cameras |

The Best Offer   (2013)

  |    |  Color  |  131 Minutes

Revenge   (2011)

  |    |  Color  |    |  44 Minutes

Gods Behaving Badly   (2013)

  |    |  Color  |  90 Minutes
Directed by | Marc Turtletaub | Cinematography by | Tak Fujimoto | Editing by | Alan Heim, Joe Landauer
Cameras |

Gangster Squad   (2013)

  |    |  Color  |    |  113 Minutes

Gambit   (2012)

  |    |  Color  |  89 Minutes
Directed by | Michael Hoffman | Cinematography by | Florian Ballhaus | Editing by | Paul Tothill
Cameras |

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