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Vertical Camera Film Orientation | 1024 Titles

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The Godfather: Part II (1974)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 1.85:1 | 202 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner

Starring | Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses

Wings (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 144 Minutes

Directed by | William A. Wellman, Harry d'Abbadie d'Arrast | Cinematography by | Harry Perry | Editing by | E. Lloyd Sheldon, Lucien Hubbard

Starring | Clara Bow, Charles 'Buddy' Rogers, Richard Arlen, Jobyna Ralston

Cameras | Akeley 35mm Ciné Camera, Bell & Howell Eyemo Camera

A Night in the Life of Jimmy Reardon (1988)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | William Richert | Cinematography by | John J. Connor | Editing by | Suzanne Fenn

Starring | River Phoenix, Ann Magnuson, Meredith Salenger, Ione Skye

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Three Fugitives (1989)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green

Starring | Nick Nolte, Martin Short, Sarah Rowland Doroff, James Earl Jones

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Monster’s Ball (2001)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Billy Bob Thornton, Halle Berry, Taylor Simpson, Gabrielle Witcher

Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

The Painted Veil (2006)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | John Curran | Cinematography by | Stuart Dryburgh | Editing by | Alexandre de Franceschi

Starring | Naomi Watts, Edward Norton, Liev Schreiber, Catherine An

Cameras | Panavision Cameras

Lenses | Panavision Lenses

La délicatesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant

Starring | Audrey Tautou, François Damiens, Bruno Todeschini, Mélanie Bernier

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Hei mao zhi ci sha Ye Li Qin (1992)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Stephen Shin | Cinematography by | Siu-Keung Cheng, Chi-Wah Lee | Editing by | Wing-Ming Wong

Starring | Jade Leung, Robin Shou, Zoltan Buday, Craig Bruhnanski

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux Lenses, Cooke Lenses

3:10 to Yuma (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Russell Crowe, Christian Bale, Ben Foster, Logan Lerman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ridicule (1996)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Patrice Leconte | Cinematography by | Thierry Arbogast | Editing by | Joëlle Hache

Starring | Charles Berling, Jean Rochefort, Fanny Ardant, Judith Godrèche

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

2001: A Space Odyssey (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 149 Minutes

Directed by | Stanley Kubrick | Cinematography by | Geoffrey Unsworth | Editing by | Ray Lovejoy

Starring | Keir Dullea, Gary Lockwood, William Sylvester, Daniel Richter

Cameras | Super Panavision-70 Camera

A Fish Called Wanda (1988)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 108 Minutes

Directed by | Charles Crichton, John Cleese | Cinematography by | Alan Hume | Editing by | John Jympson

Starring | John Cleese, Jamie Lee Curtis, Kevin Kline, Michael Palin

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Far North (2007)

Motion Picture | 2D | Color | 2.39:1 | 89 Minutes

Far North | ShotOnWhat?

Directed by | Asif Kapadia | Cinematography by | Roman Osin | Editing by | Ewa J. Lind

Starring | Michelle Yeoh, Michelle Krusiec, Sean Bean, Gary Pillai

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Clink of Ice (2010)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier

Starring | Jean Dujardin, Albert Dupontel, Anne Alvaro, Myriam Boyer

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Jodhaa Akbar (2008)

Motion Picture | 2D | Color | 2.39:1 | 213 Minutes

Directed by | Ashutosh Gowariker | Cinematography by | Kiran Deohans | Editing by | Ballu Saluja

Starring | Hrithik Roshan, Aishwarya Rai Bachchan, Sonu Sood, Poonam Sinha

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses

A Crime (2006)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Manuel Pradal | Cinematography by | Giorgos Arvanitis | Editing by | Jennifer Augé

Starring | Harvey Keitel, Emmanuelle Béart, Norman Reedus, Joe Grifasi

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

Gangs of New York (2002)

Motion Picture | 2D | Color | 2.39:1 | 167 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Cameron Diaz, Daniel Day-Lewis, Jim Broadbent

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Girl, Interrupted (1999)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | James Mangold | Cinematography by | Jack N. Green | Editing by | Kevin Tent

Starring | Winona Ryder, Angelina Jolie, Clea DuVall, Brittany Murphy

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Brannigan (1975)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Douglas Hickox | Cinematography by | Gerry Fisher | Editing by | Malcolm Cooke

Starring | John Wayne, Richard Attenborough, Judy Geeson, Mel Ferrer

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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