Vertical Camera Film Orientation | 1024 Titles
*batteries not included (1987)
Directed by | Matthew Robbins | Cinematography by | John McPherson | Editing by | Cynthia Scheider
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Blade (1998)
Directed by | Stephen Norrington | Cinematography by | Theo van de Sande | Editing by | Paul Rubell
Cameras | Moviecam Compact Camera
Mad Max (1979)
Directed by | George Miller | Cinematography by | David Eggby | Editing by | Cliff Hayes, Tony Paterson
Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
How the West Was Won (1962)
Directed by | John Ford, Henry Hathaway, George Marshall, Richard Thorpe | Cinematography by | William H. Daniels, Milton R. Krasner, Charles Lang, Joseph LaShelle | Editing by | Harold F. Kress
Cameras | Cinerama Camera, Ultra Panavision 70 Camera
Lenses | Kodak Ektar 27 mm Lens, Panavision Lenses
A Soldier’s Daughter Never Cries (1998)
Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson
Cameras | Panavision Panaflex Platinum Camera
Absolute Power (1997)
A Midsummer Night’s Rave (2002)
Directed by | Gil Cates Jr. | Cinematography by | Tom Harting | Editing by | Jonathan Cates
Cameras | Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
Shooter (2007)
Directed by | Antoine Fuqua | Cinematography by | Peter Menzies Jr. | Editing by | Conrad Buff IV, Eric A. Sears
A Dangerous Method (2011)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Lenses | Cooke S4 Lenses
9/Tenths (2006)
Directed by | Bob Degus | Cinematography by | Nathan Wilson | Editing by | Logan Breit
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Ali (2001)
Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera
Broken Embraces (2009)
Directed by | Pedro Almodóvar | Cinematography by | Rodrigo Prieto | Editing by | José Salcedo, Roberto Serrano
Cameras | ARRIFLEX 416 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra 16 Lenses
The Last Samurai (2003)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Coming to America (1988)
Directed by | John Landis | Cinematography by | Woody Omens | Editing by | Malcolm Campbell, George Folsey Jr.
Cameras | Panavision Panaflex Gold Camera
Downfall (2004)
Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck
Lenses | Zeiss Ultra Prime Lenses
Brightness (1987)
Directed by | Souleymane Cissé | Cinematography by | Jean-Noël Ferragut, Jean-Michel Humeau | Editing by | Dounamba Coulibaly, Andrée Davanture, Jenny Frenck, Nathalie Goepfert, Seipati Keita, Marie-Catherine Miqueau, Seipati N'Xumalo
Cameras | ARRIFLEX 35 BL4 Camera
D.O.A. (1988)
Directed by | Annabel Jankel, Rocky Morton | Cinematography by | Yuri Neyman | Editing by | Raja Gosnell, Michael R. Miller
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
Armored (2009)
Always (1989)
Directed by | Steven Spielberg | Cinematography by | Mikael Salomon | Editing by | Michael Kahn
Cameras | Panavision Cameras
Lenses | Panavision Lenses
2010 (1984)
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Mia Goldman, James Mitchell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
