Camera Moves » Chapman / Leonard

Chapman / Leonard Dollies : 243Chapman / Leonard Mobile Cranes : 113Chapman / Leonard Telescoping Cranes : 1Chapman Remote Camera Heads : 37

Chapman / Leonard | 374 Titles

Rate It

Introduced: 1945

« Previous 1 … 13 14 15 16 17 … 19 Next »

LessUpdatedTitleYear

U2 3D (2007)

Motion Picture | 3D | HD Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki

Starring | Bono, Adam Clayton, The Edge, Larry Mullen Jr.

Cameras | Sony HDW-F900 Camera

Lenses | Angenieux Lenses, Fujinon Lenses, Zeiss ZE Prime Lenses

Youth in Revolt (2009)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Miguel Arteta | Cinematography by | Chuy Chávez | Editing by | Andy Keir, Pamela Martin

Starring | Michael Cera, Portia Doubleday, Ray Liotta, Jean Smart

Cameras | Phantom HD Camera, Sony CineAlta F35 Camera

Stranger Than Fiction (2006)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Will Ferrell, Emma Thompson, Dustin Hoffman, Queen Latifah

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

2 Days in the Valley (1996)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | John Herzfeld | Cinematography by | Oliver Wood | Editing by | Jim Miller, Wayne Wahrman

Starring | Teri Hatcher, Jeff Daniels, Danny Aiello, Charlize Theron

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Ben-Hur (1959)

Motion Picture | 2D | Film Project | Color | 2.55:1, 2.76:1 | 212 Minutes

Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth

Starring | Charlton Heston, Jack Hawkins, Stephen Boyd, Haya Harareet

Cameras | MGM Camera 65 Camera

Lenses | Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Lenses, Panavision Lenses

Star Trek: First Contact (1996)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Jonathan Frakes | Cinematography by | Matthew F. Leonetti | Editing by | John W. Wheeler

Starring | Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton

Cameras | Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses | Panavision C Series Anamorphic Lenses

Shadow of the Vampire (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 92 Minutes

Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt

Starring | John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

Crimson Tide (1995)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Gene Hackman, Denzel Washington, Matt Craven, George Dzundza

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Atlas Shrugged II: The Strike (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 111 Minutes

Atlas Shrugged II: The Strike | ShotOnWhat?

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert

Starring | Samantha Mathis, Jason Beghe, Esai Morales, Patrick Fabian

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Blade (1998)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Stephen Norrington | Cinematography by | Theo van de Sande | Editing by | Paul Rubell

Starring | Wesley Snipes, Stephen Dorff, Kris Kristofferson, N'Bushe Wright

Cameras | Moviecam Compact Camera

Lenses | Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens

Neighbor (2009)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Robert A. Masciantonio | Cinematography by | MJ Schirmer | Editing by | R. Emmett Sibley

Starring | America Olivo, Christian Campbell, Joseph Aniska, Pete Postiglione

Cameras | Red One MX Camera

Ali (2001)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Starring | Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Last Samurai (2003)

Motion Picture | 2D | Color | 2.39:1 | 154 Minutes

Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum

Starring | Tom Cruise, Ken Watanabe, Billy Connolly, William Atherton

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Armored (2009)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Nimród Antal | Cinematography by | Andrzej Sekula | Editing by | Armen Minasian

Starring | Columbus Short, Matt Dillon, Laurence Fishburne, Jean Reno

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

3:10 to Yuma (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Russell Crowe, Christian Bale, Ben Foster, Logan Lerman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Gangs of New York (2002)

Motion Picture | 2D | Color | 2.39:1 | 167 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Cameron Diaz, Daniel Day-Lewis, Jim Broadbent

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Girl, Interrupted (1999)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | James Mangold | Cinematography by | Jack N. Green | Editing by | Kevin Tent

Starring | Winona Ryder, Angelina Jolie, Clea DuVall, Brittany Murphy

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Big Slice (1991)

Motion Picture | 2D | Other Project Resolution | Color | 86 Minutes

Directed by | John Bradshaw | Cinematography by | Ludek Bogner | Editing by | Nick Rotundo

Starring | Casey Siemaszko, Leslie Hope, Louis Ferreira, Kenneth Welsh

Cameras | ARRI ARRIFLEX Series Cameras

Assassins (1995)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 132 Minutes

Directed by | Richard Donner | Cinematography by | Vilmos Zsigmond | Editing by | Lawrence Jordan, Richard Marks

Starring | Sylvester Stallone, Antonio Banderas, Julianne Moore, Anatoli Davydov

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Repo! The Genetic Opera (2008)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Darren Lynn Bousman | Cinematography by | Joseph White | Editing by | Harvey Rosenstock

Starring | Paul Sorvino, Anthony Head, Alexa PenaVega, Sarah Brightman

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

« Previous 1 … 13 14 15 16 17 … 19 Next »

©2012 - 2025 ShotOnWhat?

20254.20