Super 16 Camera Aperture | 150 Titles
Black Swan (2010)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Zeiss Ultra 16 Lenses
28 Weeks Later (2007)
Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera
All My Friends Are Leaving Brisbane (2007)
Directed by | Louise Alston | Cinematography by | Judd Overton | Editing by | Nicola Scarrott
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | Angenieux HR Zoom Lenses
The Queen (2006)
Directed by | Stephen Frears | Cinematography by | Affonso Beato | Editing by | Lucia Zucchetti
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Enter the Void (2009)
Directed by | Gaspar Noé | Cinematography by | Benoît Debie | Editing by | Marc Boucrot, Gaspar Noé, Jérôme Pesnel
She Hate Me (2004)
Directed by | Spike Lee | Cinematography by | Matthew Libatique | Editing by | Barry Alexander Brown
Cameras | Aaton A-Minima Camera, ARRI Cameras
The Motorcycle Diaries (2004)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera
Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses
The Hurt Locker (2008) 
Directed by | Kathryn Bigelow | Cinematography by | Barry Ackroyd | Editing by | Chris Innis, Bob Murawski
The Gigolos (2006)
Directed by | Richard Bracewell | Cinematography by | Richard Bracewell | Editing by | Craig Cotterill
Cameras | Aaton XTR Plus Camera
Moonrise Kingdom (2012)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Cameras | Aaton A-Minima Camera, Aaton Xterà Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
W.E. (2011)
Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull
Lenses | Zeiss Ultra Prime Lenses
The Wrestler (2008)
Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum
Cameras | ARRIFLEX 416 Camera
Argo (2012)
Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg
Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Mørke sjeler (2010)
Directed by | César Ducasse, Mathieu Peteul | Cinematography by | César Ducasse, Mathieu Peteul | Editing by | César Ducasse, Mathieu Peteul
Marley (2012)
Directed by | Kevin Macdonald | Cinematography by | Mike Eley, Alwin H. Küchler, Wally Pfister | Editing by | Dan Glendenning
Blue Valentine (2010)
Directed by | Derek Cianfrance | Cinematography by | Andrij Parekh | Editing by | Jim Helton, Ron Patane
Cameras | ARRIFLEX 416 Camera, Red One Camera
Lenses | Angenieux Lenses, Zeiss Lenses
20 sigarette (2010)
Directed by | Aureliano Amadei | Cinematography by | Vittorio Omodei Zorini | Editing by | Alessio Doglione
Cameras | ARRIFLEX 416 Camera
180º (2010)
Directed by | Fernando Kalife | Cinematography by | Eduardo Flores Torres | Editing by | Joel T. Pashby, Hughes Winborne
Cameras | ARRICAM Lite (LT) Camera
Travelers and Magicians (2003)
Directed by | Khyentse Norbu | Cinematography by | Alan Kozlowski | Editing by | Andrew McCormick, Lisa-Anne Morris, John Scott
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
Half Nelson (2006)
Directed by | Ryan Fleck | Cinematography by | Andrij Parekh | Editing by | Anna Boden
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
